Skip to main content

Iphigenia in Splott

Pleasance Dome
Five stars

Don't mess with Effie, the hard-nosed, hard-drinking, shag-happy heroine of Gary Owen's blazing reinvention of Greek myth that bursts onto the streets of Cardiff with a lust for life that matches Effie's motor-mouthed and alco-popped libido. Into the Friday night mess Effie meets a squaddie war veteran whose leg has been blown off in action. This doesn't prevent Effie from getting pregnant following their one-night stand that leads ultimately to tragedy by way of an ill-equipped ambulance that crashes while rushing her to an even worse resourced hospital.

Laced throughout with a ferocious back-street Cardiffian poetry, Owen's play is brought to brawling life in Rachel O'Riordan's ferocious production for Cardiff's Sherman Cymru. A stunning Sophie Melville strides through the littered striplights of Hayley Grindle's set as they pulse into life or else black out like a stopped heart machine.

As with most of us, it's only when the worst happens that we're kick-started into action, and Effie's everyday radicalisation comes with her final words which, accompanied by a piercingly defiant stare, suggests revenge is coming. In this way, Effie is the personification of a society that isn't going to put up with austerity-led public sector cuts anymore, and the thugs currently attempting to vandalise the NHS and Britain's welfare state into submission should be very scared indeed.

The Herald, August 31st 2015

ends

Comments

Popular posts from this blog

Peter Brook – The Prisoner

Peter Brook is no stranger to Scotland, ever since the guru of European and world theatre first brought his nine-hour epic, The Mahabharata, to Glasgow in 1988. That was at the city’s old transport museum, which by 1990 had become Tramway, the still-functioning permanent venue that opened up Glasgow and Scotland as a major channel for international theatre in a way that had previously only been on offer at Edinburgh International Festival.
Brook and his Paris-based Theatre des Bouffes du Nord company’s relationship with Tramway saw him bring his productions of La Tragedie de Carmen, La Tempete, Pellease et Mellisande, The Man Who…, and Oh Les Beaux Jours – the French version of Samuel Beckett’s Happy Days – to Glasgow.
Thirty years on from The Mahabharata, Brook comes to EIF with another piece of pan-global theatre as part of a residency by Theatre des Bouffes du Nord, which Brook has led since he decamped to Paris from London in the early 1970s. The current Edinburgh residency has alr…

Romeo And Juliet - Shakespeare's Globe Comes to Glasgow

Open-air Shakepeares are a summer-time perennial of the theatre calendar, attracting picnicking audiences as much as midges. More often than not, such romps through the grass are frothy, heritage industry affairs designed to be accompanied by strawberries and cream and not to be taken too seriously. Shakespeare’s Globe theatre company look set to change such perceptions when they open their outdoor tour of Romeo And Juliet in Glasgow next week as part of the West End festival.

For the two young actors taking the title roles of the doomed lovers, it will also be something of a homecoming. Richard Madden and Ellie Piercy both studied in Glasgow prior to turning professional. Indeed, Madden has yet to graduate from the acting course at RSAMD, and, as well as facing the pressures of playing such a meaty role in close proximity to the audience, will have the added anxiety of being assessed and graded by his tutors.

“This is the end of my third year,” says Madden following a Saturday mornin…

Suzy Glass – Message from the Skies

Freedom of movement matters to Suzy Glass, the arts and events producer currently overseeing the second edition of Message from the Skies.This animated literary derive around the city forms part of this year’s Edinburgh’s Hogmanay programme, and runs right through till Burns’ Night. Glass’ concerns are inherent in the event itself, which has commissioned six writers from different disciplines and experiences to each pen a love letter to Europe. Each writer has then paired up with a composer and visual artist or film-maker, with the results of each collaboration projected in monumental fashion on the walls of one of half a dozen of the capital’s most iconic buildings.
With venues stretching from the south side of Edinburgh to Leith, and with one city centre stop requiring a walk up Calton Hill, there is considerable legwork required to complete the circuit. It shouldn’t be considered a race, however, and audiences are free to move between venues at their leisure, visiting each site on d…