Rabbie Burns might not know what's hit him once Douglas Gordon gets hold of him. Or rather, the full length marble statue of Burns created in 1824 by John Flaxman and currently standing in the Great Hall of the Scottish National Portrait Gallery in Edinburgh might not. The statue, originally housed in Thomas Hamilton's Burns Monument on Calton Hill, is the inspiration for Black Burns, a response to Flaxman's original by the Berlin-based Glaswegian. The result literally breaks down perceptions of Scotland's much revered national bard, who stands as the only full figure in a room full of busts. “My initial idea was to have all the busts turning their back on Burns,” says Gordon, “so you had all the other characters ignoring the central character. Then I began to be intrigued by the way he was ivory coloured, which made me think about his history with slavery, and I thought, why not take this white man and turn him into a black man. “I'd already started working w
An archive of arts writing by Neil Cooper. Effete No Obstacle.