Coffee-Table Notes

Paul Ritter – Actor Born December 20, 1966; died April 5, 2021      Paul Ritter, who has died from a brain tumour aged 54, was a quietly brilliant character actor, who had the ability to inhabit each new role to the point of being unrecognisable. He became an increasingly familiar face as the eccentric and often shirtless patriarch Martin Goodman during the six series’ of Robert Popper’s  sit-com, Friday Night Dinner (2011-2020). Martin’s many off-kilter tics included greeting his grown up sons as “bambinos” and smearing tomato ketchup on his bare chest.    He was odd in a different way as shabby forensics genius Randolph Miller in all twenty episodes of Paul Abbot’s deadpan Manchester-set police drama, No Offence (2015-2018). Ritter could be scary too, as he was playing Anatoly Dyatlov, the bullying engineer at the heart of the real life nuclear power plant disaster in Chernobyl (2019).   Previous to this, Ritter had come to prominence as Guy Hainesin James Bond film, Quantum of Solac

Bertrand Tavernier – Film director Born April 25, 1941; died March 25, 2021      Bertrand Tavernier, who has died aged 79, was a filmmaker who applied an endless curiosity about human behaviour and the world it exists in to a weighty and expansive vision across almost forty features that took French cinema beyond the New Wave. Tavernier was perhaps best known in the UK for English language features that included ‘Round Midnight (1986), which starred real life jazz musician Dexter Gordon as an addict saxophonist. Over forty years as a director, his range embraced everything from slow burning cop dramas to historical period pieces, all driven by a political sensibility that loomed large.   This was clear from his debut as a director on The Watchmaker of St Paul (1974), which drew from a story by Georges Simenon in its study of a father and the detective searching for his teenage son after he apparently killed someone. Corps de Torchon (1981) was adapted from Jim Thompson’s pulp noir nove

George Segal – Actor Born February 13, 1934; died March 23, 2021    George Segal, who has died aged 87, was an actor who rode a wave of grown up comedies during  the 1970s, when Hollywood was exploring some of the new freedoms opened up the decade before. Segal evoked the amorous ambitions of assorted hapless but usually well intentioned roués at odds with their lot. He did this with an understated twinkly-eyed dryness as he sparred gently with a role call of actresses who similarly defined their era.    He starred with Barbra Streisand in The Owl and the Pussycat (1970); played a suburban bank robber alongside Jane Fonda in Fun with Dick and Jane (1977); and – magnificently – played opposite Glenda Jackson in A Touch of Class (1973). Out of this came a kind of post me-generation focus on romantic shenanigans that took screwball comedy into more intimate areas.   Segal first came to prominence for his Oscar nominated turn in Mike Nichols’ big screen version of Edward Albee’s play, Who’

Nicola Pagett – Actress Born June 15, 1945; died March 3, 2021    Nicola Pagett, who has died of a brain tumour aged 75, was an actress whose refined presence lent itself to numerous aristocratic roles over a distinguished high profile thirty year stage and television career . She first came to prominence in Upstairs Downstairs, Jean Marsh and Eileen Atkins’ cross class early twentieth century set TV drama that ran from 1971 to 1975. Pagett played Elizabeth Bellamy, the rebellious daughter of Lady Marjorie Bellamy and her Conservative MP husband Richard. During her time in the show, Elizabeth flirted with socialism, became a suffragette, and married a sexless poet before being dispatched to America following Pagett’s departure after two series’.    Pagett went on to play the title role of Anna Karenina in a ten-part BBC adaptation of Leo Tolstoy’s novel that saw her make Tolstoy’s free spirited heroine her own.  “There's nothing remotely ethereal or delicate about me,”  Pagett told

Yaphet Kotto – actor   Born November 15, 1939; died March 15, 2021    Yaphet Kotto, who has died aged 81, was an actor whose commanding presence came to prominence when he played dictator Dr Kananga, the nemesis of James Bond in Live and Let Die (1973). As the film’s chief villain, Kotto’s character disguises himself as New York drug lord Mr Big. If some scenes looked straight out of the blaxploitation handbook, any badass attitude was upended during Kananga’s final tussle with Roger Moore’s Bond, when his body inflated like a balloon  after he swallowed a gas pellet  and exploded.   Kotto later made a more heroic appearance as doomed engineer Parker in Alien (1979), directed by Ridley Scott. By that time he had been Emmy nominated as best supporting actor for his portrayal of Ugandan dictator Idi Amin opposite Peter Finch and Charles Bronson in TV film, Raid on Entebbe (1976).   Latterly, Kotto became best known for his long-term tenure in Homicide: Life on the Street (1993-1999), as

John Russell – Guitarist Born December 19, 1954; died January 18, 2021   John Russell, who has died aged 66, was a pioneering guitarist, who dedicated himself to free improvisation, both in his own playing, and in organising platforms for his peers, live and on record. Russell’s own music, played primarily on an acoustic guitar, was a concentrated, spacious and always exploratory experience, both solo and in numerous collaborations over the last half-century. These ranged from veteran saxophonist Evan  Parker to former Sonic Youth guitarist Thurston Moore, taking in the likes of sax player Lol Coxhill, trumpeter Henry Lowther and vocalist Maggie Nicols en route.   In 1981, Russell founded Quaqua, a large pool of improvising musicians, put together in different combinations and contexts.  A decade later, Russell began Mopomoso, which went on to become the longest running concert series for primarily improvised music.         The name for Mopomoso came from taking the first two letters o

Walls are everywhere in Margaret Mitchell’s collection of photographs of her extended family in Stirling, an ancient limbo of sorts that exists more or less equidistant from Edinburgh and Glasgow. Doors and windows too. Together, they look out on other worlds beyond while at the same time hemming in those who occupy them.    Drawn from two series’ of images taken more than two decades apart, the story these pictures tell of Mitchell’s nieces and nephews as both children and adults with their own broods is a deeply personal family portrait. In its everyday evocation of still lives getting by in spite of everything, it also highlights the social and economic barriers that exist, and which continue to worsen to a dangerously damaging degree.     The first part of the book, Family, dates from 1994, when Mitchell’s sister Andrea and her three children, Steven, Kellie and Chick, were living in a flat in The Raploch, an area of high socio-economic deprivation. The second part, In This Place,