Skip to main content

All Star Wrestling American Superslam - The Grunt and Groan Game Revisited

Once upon a time, before the well-oiled ogres of WWE ruled the world in day-glo spandex, The Wrestling was a national institution. Every Saturday afternoon in the 1970s and 1980s, everything stopped at four O’ clock, as end-of-the-pier Greek tragedies between leotard-clad tubs of lard with cartoon names took place. On TV screens as black and white as the struggles between good and evil they highlighted, the legends of Big Daddy, Giant Haystacks and Kendo Nagasaki were played out just before the football scores on World of Sport. It was only when Greg Dyke, then head of ITV Sport, pulled the plug in 1988 on the grounds of it being too low-brow, that The Wrestling appeared to have died.

Now, for one night only, The Wrestling is back, albeit in a slightly different guise to how you might remember it. Because, the All Star Wrestling that arrives un Edinburgh as part of a 60-date tour may have its roots in old time spit-and-sawdust grunt-n’-groan. But with modern day stars such as Robbie Brookside and James Mason, as well as ladies contests and the return of pint-sized grappler Little Legs in a Britain versus America family extravaganza, its savvy enough too to take on board the American revolution that so captivates the kids today.

“When British wrestling came off television we thought that would be it,” says promoter Brian Dixon, who’s operated from ASW’s Birkenhead base for more than thirty years, “but it was the opposite. People couldn’t see it, so they started coming to live events more. In the meantime Sky started showing American wrestling.”

At wrestling’s lowest ebb, Dixon diverted into promoting 1970s tribute bands and on the back of The Full Monty, male strippers. Now, though, “it’s been hard work, but wrestling’s now the most popular it’s been for years.”

ASW’s arrival accidentally ties in with a new edition of Simon Garfield’s book, The Wrestling. Originally published in 1996, Garfield’s oral history told a heartbreaking tale of a hidden part of British popular culture’s decline. Its roll-call of four O’ clock heroes included Jimmy Saville and champion show-jumper Harvey Smith, both of whom had spent time in the squared circle. Then there’s Auf Wiedersehn Pet star Pat Roach, Brian Glover, who once wrote a TV play for masked villain Kendo Nagasaki, and ladies champion Mitzi Mueller, who Dixon married.

“I was once interviewed on the radio and said that wrestling was finished,” he says. “That statement still haunts me. I don’t know how long it’ll last, but we’re booked up till 2010, so we’ve got a few years left yet.”

All Star Wrestling American Superslam, Queen’s Hall, Edinburgh, June 20th, 7.30pm

The List, July 2008

ends

Comments

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Myra Mcfadyen - An Obituary

Myra McFadyen – Actress   Born January 12th 1956; died October 18th 2024   Myra McFadyen, who has died aged 68, was an actress who brought a mercurial mix of lightness and depth to her work on stage and screen. Playwright and artistic director of the Royal Lyceum Theatre, Edinburgh, David Greig, called McFadyen “an utterly transformative, shamanic actor who could change a room and command an audience with a blink”. Citizens’ Theatre artistic director Dominic Hill described McFadyen’s portrayal of Puck in his 2019 production of A Midsummer Night’s Dream at the Regent’s Park Open Air Theatre in London as “funny, mischievous and ultimately heartbreaking.”   For many, McFadyen will be most recognisable from Mamma Mia!, the smash hit musical based around ABBA songs. McFadyen spent two years on the West End in Phyllida Lloyd’s original 1999 stage production, and was in both film offshoots. Other big screen turns included Rob Roy (1995) and Our Ladies (2019), both directed by Mi...

The Passage – Hip Rebel Degenerates: Black, White and Red All Over

Prelude – The Power of Three   Fear. Power. Love. This life-and-death (un)holy trinity was the driving force and raisons d’être of The Passage, the still largely unsung Manchester band sired in what we now call the post-punk era, and who between 1978 and 1983 released four albums and a handful of singles.    Led primarily by composer Dick Witts, The Passage bridged the divide between contemporary classical composition and electronic pop as much as between the personal and the political. In the oppositional hotbed of Margaret Thatcher’s first landslide, The Passage fused agit-prop and angst, and released a song called Troops Out as a single. The song offered unequivocal support for withdrawing British troops from Northern Ireland.    They wrote Anderton’s Hall, about Greater Manchester’s born again right wing police chief, James Anderton, and, on Dark Times, rubbed Brechtian polemic up against dancefloor hedonism. On XOYO, their most commercial and potentially mo...