Skip to main content

Auditory Hallucinations


The Bongo Club, Edinburgh
4 stars
Do you remember the first time? The first time you played mass games of statues, perhaps, a first kiss, or the growing pains of impending adulthood that will leave all that innocent stuff behind for more serious life and death affairs? Young experimental theatre company Creative Electric do, and even though the three performers onstage in this devised interactive miniature look barely out of therir teens, their wisdom goes before them in spades.

After being given headphones at the door, an audience of fifteen is ushered into one of the Bongo's dark club spaces as a sonic collage of babbling voices invades our ears and minds. As they guide us round the space, performers Michael Collins, Laura Fisher and Robbie Gordon share a series of personal epiphanies inbetween explaining how the brain deals with memories. Sometimes these are accompanied by little dance moves. Other moments are soundtracked by melancholy electronic melodies as unknown voices share their own experiences through the headphones. There are moments too, when they remove your headphones, look you in the eye and tell you what it was like to see an ailing relative for the final time or how they prepared to leave home.

As each memory prompts you to reflect on your own experiences, all of this becomes a deeply affecting experience. The fact that Heather Marshall's intimate production lasts just thirty-five minutes makes it even more so. All three performers serve up an impressive mix of real life honesty and charm in a piece which could clearly be developed into something bigger, but which, right now, remains an emotionally stirring meditation that's not easy to forget.

The Herald, May 2nd 2013

ends

Comments

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Myra Mcfadyen - An Obituary

Myra McFadyen – Actress   Born January 12th 1956; died October 18th 2024   Myra McFadyen, who has died aged 68, was an actress who brought a mercurial mix of lightness and depth to her work on stage and screen. Playwright and artistic director of the Royal Lyceum Theatre, Edinburgh, David Greig, called McFadyen “an utterly transformative, shamanic actor who could change a room and command an audience with a blink”. Citizens’ Theatre artistic director Dominic Hill described McFadyen’s portrayal of Puck in his 2019 production of A Midsummer Night’s Dream at the Regent’s Park Open Air Theatre in London as “funny, mischievous and ultimately heartbreaking.”   For many, McFadyen will be most recognisable from Mamma Mia!, the smash hit musical based around ABBA songs. McFadyen spent two years on the West End in Phyllida Lloyd’s original 1999 stage production, and was in both film offshoots. Other big screen turns included Rob Roy (1995) and Our Ladies (2019), both directed by Mi...

The Passage – Hip Rebel Degenerates: Black, White and Red All Over

Prelude – The Power of Three   Fear. Power. Love. This life-and-death (un)holy trinity was the driving force and raisons d’être of The Passage, the still largely unsung Manchester band sired in what we now call the post-punk era, and who between 1978 and 1983 released four albums and a handful of singles.    Led primarily by composer Dick Witts, The Passage bridged the divide between contemporary classical composition and electronic pop as much as between the personal and the political. In the oppositional hotbed of Margaret Thatcher’s first landslide, The Passage fused agit-prop and angst, and released a song called Troops Out as a single. The song offered unequivocal support for withdrawing British troops from Northern Ireland.    They wrote Anderton’s Hall, about Greater Manchester’s born again right wing police chief, James Anderton, and, on Dark Times, rubbed Brechtian polemic up against dancefloor hedonism. On XOYO, their most commercial and potentially mo...