Royal Lyceum Theatre, Edinburgh Four stars One of the many fine things achieved by Pitlochry Festival Theatre’s outgoing artistic director Elizabeth Newman is this unflinching production of Tennessee Williams’ 1947 play. Revived for this short Edinburgh run, Newman lays bare Williams’ study of one woman’s doomed attempts at bluffing her through her emotional baggage in the face of continual brutalisation. One probably shouldn’t over psychologise Williams’ writing, but it is clear from Kirsty Stuart’s mercurial portrayal of Blanche DuBois here that she has been traumatised for some time. Landing unexpectedly in her sister Stella and her husband Stanley’s cramped apartment in a noisy New Orleans community, Blanche’s high maintenance ways have left her jobless, penniless and loveless. Blanche finds herself cuckoo in a volatile nest, the claustrophobia of which sees a simmering power struggle between Blanche and Stanley for Stella’s attention. Blanche attracts other attention too,
Rise Kagona – Guitarist, songwriter, singer Born May 17 th 1963; died September 14 th 2024 Rise Kagona, who has died aged 61, was a trailblazing guitarist, whose tenure leading The Bhundu Boys throughout the 1980s and beyond saw his shimmering guitar lines make waves beyond the band’s Zimbabwe homeland on main stages across the globe. This was done through his use of what became known as the Jiti or Jit Jive style. This was a traditional Zimbabwean musical form, which Kagona fused with more contemporary Western elements to make for a restless effervescent sound that filled dancefloors wherever Kagona and the group played. After becoming regular chart toppers in Zimbabwe, Kagona and the Bhundu Boys were picked up by Scottish singer Champion Doug Veitch, who co-founded the DiscAfrique record label to showcase contemporary African music beyond its homeland. Veitch brought the band to Scotland, and soon they were being hailed by the likes of Eric Clapton and Elvis Costello, or else l