When Benno Schotz (1891-1984) visited his brother in Glasgow in 1912, the Estonian sculptor never really left. The then twenty-one year-old returned to his homeland once before settling in Scotland for good. The result of Schotz’s self imposed exile was an artistic and personal journey that saw him become one of twentieth century Scotland’s greatest sculptors. As a member of the Royal Scottish Academy and Head of Sculpture and Ceramics at Glasgow School of Art, Schotz would also be an inspirational teacher and champion of other artists. At the heart of his work was a network of family and friends, with his wife Milly, daughter Cherna and son Amiel influencing his figurative work prior to him taking a more abstract path inspired by trees in Kelvingrove Park. Schotz’s migration to Scotland is the drive behind Benno Schotz and A Scots Miscellany, the current exhibition at the Royal Scottish Academy that puts some of Schotz’s key works alongside twelve other first generation m...
The Playhouse, Edinburgh Four stars America is hell in the late Jim Steinman’s rock and roll love story, reimagined in 2017 from his multi million selling albums for Meat Loaf as a long overdue jukebox musical. Steinman sets out his store in what used to be Manhattan but is now a dystopian dump, with youthful dissent beaten into the underground tunnels that line the city. Brought to life by director Jay Scheib, Steinman’s epic draws from Peter Pan, Romeo and Juliet and the sort of 1980s teen flicks where the good guys wear black leather jackets to make a suitably bombastic morality tale writ very large indeed. It opens with Love and Death and An American Guitar from Steinman’s own 1981 album, Bad for Good. As delivered by Katie Tonkinson’s goth rebel Raven, Steinman’s spoken word monologue about attempted patricide by guitar is possessed by a low-key menace worthy of a routine by New York’s original No Wave bad girl, Lydia Lunch. Raven is at war with her wealt...