King’s Theatre, Edinburgh Five stars War stories come in many guises. Telling them in the form of musical theatre is a far from unheard of proposition, and has paid serious dividends for the SplitLip company in their multi award winning show that tells the stranger than fiction tale of one of World War Two’s most complex pieces of espionage, deception and military derring-do. This involved co-opting the corpse of an unknown vagrant, planting them with false documents regarding the allies next move and dumping the body off the coast of Spain where it fell into the about to be duped hands of the Germans. SplitLips’ ingenious confection takes a story already long immortalised in print and on screen and translates it into a jolley-hockeysticks fusion of cabaret style show tunes and slickly conceived comic routines. These combine in Robert Hastie’s production to tell a story that takes in MI5 skulduggery, a bit part for a pre James Bond Ian Fleming, and one man’s curiously expert knowl...
When Raydale Dower visited the old Bon Accord Baths in Aberdeen, the memories came flooding back. Having grown up in nearby Ferryhill, the artist and composer had visited what is now one of the last surviving Art Deco pools in the UK as a child with his mum and grandmother. When he was shown one of the cubicles where people living nearby who didn’t have baths of their own came to wash, he suddenly recalled being there when he was three years old. “I was standing in this room with a bath and this eight foot high wall, “Dower remembers, “and the person showing me round was laughing, saying how you had to turn the hot water on from outside. I suddenly remembered this whole setup as a young person, wondering why I was having a bath in a public place. Then you've got this backdrop of the noise of a swimming pool, with this cacophony of echo and people running around. It was all really vivid, and I honestly felt like I was in the exact same cubicle.” Dower has channelled this int...