Skip to main content

The Beautiful Cosmos of Ivor Cutler

Citizens Theatre, Glasgow
Four stars

It's the voice of God you hear first in Vanishing Point's exquisitely realised impressionistic evocation of the life and times of the poet and song-writer whose influence on popular culture over the last half century is only now being fully recognised. It's a jolly voice compared to the deadpan melancholy of Ivor Cutler's own, but this unseen presence points up Cutler's own uneasy relationship with religious beliefs of all persuasions, even as this co-production with the National Theatre of Scotland is as much a spiritual meditation as any liturgy.

Using a framing device of an actual meeting between actor Sandy Grierson, who plays Cutler, with Cutler's partner Phyllis King below the Kentish Town flat where Cutler once lived, the first half is a celestial radio play that shows how a dreamy boy from Ibrox went from life as a pilot and a teacher to an underground cult figure and star of TV and radio. These scenes give us a glimpse of what shaped Cutler's mind even as they explore how such a remarkable life can be translated into the play we're watching. The second half shifts in tone to something more elegiac as it focuses on Cutler and King's love story, and a personal and artistic bond that proved indestructible even as Cutler slid gently into old age.

Accompanying all this in Matthew Lenton's beautifully nuanced production of a text knitted together by Grierson is a barn-stormingly good five-piece band led by composer James Fortune. Their rollicking new arrangements of Cutler's songs reinvent them as a colourful riot of Klezmer, Calypso and Indian Ragas to shed vivid life on Cutler's unique form of Zen absurdist music hall.

Elicia Daly makes a poignant Phyllis, while guitarist Ed Gaughan provides an array of comic voices that include Ned Sherrin and Paul McCartney. It is Grierson's remarkably observed study of Cutler, however, that carries the show as he charmingly and movingly captures his subject's sense of wonder even at his frailest in this most tender and loving of homages to a true genius.

The Herald, April 14th 2014

ends

Comments

Popular posts from this blog

Clybourne Park

Adam Smith Theatre, Kirkcaldy Four Stars
It’s a case of whoops, there goes the neighbourhood twice over in Rapture Theatre’s revival of Bruce Norris’ Pulitzer Prize-winning play, which opens in 1959 in the same Chicago suburb where Lorraine Hansberry’s drama, A Raisin in the Sun, which appeared that year, is set. Here, Robin Kingsland’s Russ and his wife Bev, played by Jackie Morrison, are preparing to move out of their now almost empty des-res following a family tragedy.
Unknown to them, the bargain basement price tag has enabled a black family to move in, with Jack Lord’s uptight Karl a self-appointed spokesperson for the entire ‘hood. Russ and Bev’s black maid Francine (Adelaide Obeng) and her husband Albert (Vinta Morgan), meanwhile, bear witness to a barrage of everyday racism. Fast forward half a century, and a white family are trying to buy the same house, albeit with a heap of proposed changes which the black couple representing the block’s now much more diverse community aren’t…

Michael Rother - Sterntaler at 40

"There's so much to do," says an uncharacteristically flustered Michael Rother. The normally unflappably beatific German guitarist, composer and former member of Neu! and Harmonia, who also had a stint in a nascent Kraftwerk, is packing for live dates in Russia and the UK, including this weekend's show at the Queen Margaret Union in Glasgow.
"It has always been my choice to take care of these things myself and not have a manager," he says. "Somehow for me the independent aspect of doing things is really important, but it has its disadvantages."
As well as playing selections from Neu! and Harmonia, the trio he formed with Dieter Moebius and Hans Joachim Roedelius of Cluster, Rother's Glasgow date will see him play a fortieth anniversary rendering of his second solo album, Sterntaler, in full. Rother will be accompanied by guitarist Franz Bargmann and drummer Hans Lampe, the latter of whose musical involvement with Rother dates back to Neu! days, …

Big Gold Dreams – A Story of Scottish Independent Music 1977-1989

Disc 1
1. THE REZILLOS (My Baby Does) Good Sculptures (12/77)  2. THE EXILE Hooked On You (8/77)
3. DRIVE Jerkin’ (8/77)
4. VALVES Robot Love (9/77)
5. P.V.C. 2 Put You In The Picture (10/77)
6. JOHNNY & THE SELF ABUSERS Dead Vandals (11/77)
7. BEE BEE CEE You Gotta Know Girl (11/77)
8. SUBS Gimme Your Heart (2/78)
9. SKIDS Reasons (No Bad NB 1, 4/78)
10. FINGERPRINTZ Dancing With Myself (1/79) 
11. THE ZIPS Take Me Down (4/79)
12. ANOTHER PRETTY FACE All The Boys Love Carrie (5/79) 
13. VISITORS Electric Heat (5/79)
14. JOLT See Saw (6/79)
15. SIMPLE MINDS Chelsea Girl (6/79)
16. SHAKE Culture Shock (7/79)
17. HEADBOYS The Shape Of Things To Come (7/79)
18. FIRE EXIT Time Wall (8/79)
19. FREEZE Paranoia (9/79)
20. FAKES Sylvia Clarke (9/79)
21. TPI She’s Too Clever For Me (10/79)
22. FUN 4 Singing In The Showers (11/79)
23. FLOWERS Confessions (12/79)
24. TV21 Playing With Fire (4/80)
25. ALEX FERGUSSON Stay With Me Tonight (1980)

1. THE REZILLOS I Can’t Stand My Baby (Sensible FAB 18/77) If it wasn’t for T…