Skip to main content

Henry 1V / Henry V

Royal Botanic Gardens, Glasgow
Four stars
War is everywhere just now, both onstage in the numerous commemorations
of World War One's centenary year as well as an increasingly ugly real
world. The centrepiece of this year's Bard in the Botanics 'What  We
May Be' season, goes forth with three of Shakespeare's history plays to
tackle both the personal and political consequences of conflict.

Bard in the Botanics director Gordon Barr not only condenses both parts
of Henry 1V into just over two hours, but has it played in the catwalk
of the Kibble Palace by just three actors. It's a version full of macho
swagger that charts Prince Hal's wild years from estrangement from his
father and slumming it with Falstaff to finding out where his true
loyalties lay.

There's an acerbic edge to both James Ronan's Prince and Tom Duncan's
Hotspur, while Kirk Bage lends emotional depth to Falstaff as well as
the King. As Hal takes the throne and leaves the gang behind, the
play's final image is of a rejected Falstaff sitting alone, his meal
ticket lost forever.

What Harry did next can be seen across the gardens in an open-air Henry
V adapted and directed by Jennifer Dick, whose concept frames the play
around a school fete circa 1915, with the pupils and teachers sat
either side of a wooden assembly hall stage flanked by stalls. This
set-up allows the parallels between Agincourt and Flanders to be made
plain, with between-scene interludes flagging up letters from the
school to the families of fallen former pupils. Henry's 'Once more into
the breech' speech, meanwhile, becomes a rabble-rousing dispatch from
the front-line delivered by a man of action over a soundtrack of
gun-fire and bombs.

Such shadows of doom hang even heavier in the second half, with the
cast marching on like a public school cadet force. The men's uniforms
become gradually more up to date, so by the time Henry mouths his 'We
happy few' speech, he may still sport the crown, but he's also wearing
the khaki of an officer in the trenches.

As played here by Daniel Campbell, Henry may have become a statesman,
but you can still see the unruly lad within. Robert Elkin's Boy Chorus
is a crucial figure, from igniting the audience's imagination, to the
way he, like Falstaff, sits to one side, the black arm-band over his
uniform counteracting any triumphalism elsewhere.

The Herald, July 21st 2014

ends

Comments

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) 1. THE STONE ROSES    Don’t Stop ( Silvertone   ORE   1989) The trip didn’t quite start here for what sounds like Waterfall played backwards on The Stone Roses’ era-defining eponymous debut album, but it sounds

Big Gold Dreams – A Story of Scottish Independent Music 1977-1989

Disc 1 1. THE REZILLOS (My Baby Does) Good Sculptures (12/77)  2. THE EXILE Hooked On You (8/77) 3. DRIVE Jerkin’ (8/77) 4. VALVES Robot Love (9/77) 5. P.V.C. 2 Put You In The Picture (10/77) 6. JOHNNY & THE SELF ABUSERS Dead Vandals (11/77) 7. BEE BEE CEE You Gotta Know Girl (11/77) 8. SUBS Gimme Your Heart (2/78) 9. SKIDS Reasons (No Bad NB 1, 4/78) 10. FINGERPRINTZ Dancing With Myself (1/79)  11. THE ZIPS Take Me Down (4/79) 12. ANOTHER PRETTY FACE All The Boys Love Carrie (5/79)  13. VISITORS Electric Heat (5/79) 14. JOLT See Saw (6/79) 15. SIMPLE MINDS Chelsea Girl (6/79) 16. SHAKE Culture Shock (7/79) 17. HEADBOYS The Shape Of Things To Come (7/79) 18. FIRE EXIT Time Wall (8/79) 19. FREEZE Paranoia (9/79) 20. FAKES Sylvia Clarke (9/79) 21. TPI She’s Too Clever For Me (10/79) 22. FUN 4 Singing In The Showers (11/79) 23. FLOWERS Confessions (12/79) 24. TV21 Playing With Fire (4/80) 25. ALEX FERGUSSON Stay With Me Tonight (1980) 1. THE REZILL

Edinburgh Rocks – The Capital's Music Scene in the 1950s and Early 1960s

Edinburgh has always been a vintage city. Yet, for youngsters growing up in the shadow of World War Two as well as a pervading air of tight-lipped Calvinism, they were dreich times indeed. The founding of the Edinburgh International Festival in 1947 and the subsequent Fringe it spawned may have livened up the city for a couple of weeks in August as long as you were fans of theatre, opera and classical music, but the pubs still shut early, and on Sundays weren't open at all. But Edinburgh too has always had a flipside beyond such official channels, and, in a twitch-hipped expression of the sort of cultural duality Robert Louis Stevenson recognised in his novel, Dr Jekyll and Mr Hyde, a vibrant dance-hall scene grew up across the city. Audiences flocked to emporiums such as the Cavendish in Tollcross, the Eldorado in Leith, The Plaza in Morningside and, most glamorous of all due to its revolving stage, the Palais in Fountainbridge. Here the likes of Joe Loss and Ted Heath broug