Skip to main content

Concert in the Gardens 2017/2018 - Rag'n'Bone Man, Human League, Sacred Paws

Edinburgh's Hogmanay
Four stars

When Rag n Bone Man sings Auld Lang Syne following the eight minutes of fireworks choreographed to a mash-up of tunes by Skye-based band Niteworks that heralded the new year, he looks so little-boy pleased with himself that he might just burst. As well he might, given the year the artist formerly known as Rory Graham has had. Following collaborations with the likes of Kate Tempest, the Brighton-based rapper turned crooner's debut album, Human, was the fastest selling record by a male artist this decade, and saw him named as British Breakthrough Act at the 2017 Brit Awards.

For Edinburgh, Graham brought with him a seven-piece band, including a two-piece horn section, to accompany his set of nouveau soul epics. Prior to that, semi-local heroines and Scottish Album of the Year winning duo, Sacred Paws, opened the Waverley Stage programme. Expanded to a quartet, their fleshed-out dispatches from a post-punk global village made for an infectiously jaunty warm-up. The Human League's set of triumphal wine bar electro-pop saw singer Phil Oakey pay tribute to the Edinburgh-based Fast Product label that released their first two singles before a slew of eighties hits closed with the inevitable Don't You Want Me.

Over in Princes Street Gardens, the crowd very much wanted Rag'n'Bone Man, who seemed in genuine awe of the occasion, which allowed him to give full vent to his user-friendly gospel, delivered with a mile-wide grin throughout. For Human's title track, he “got so excited I nearly tripped over”, before the night closed with a rousing cover of the Rolling Stones' Gimme Shelter. Reclaiming the song’s soulful roots, Rag'n'Bone Man and co built it up to kick-start a choreographed mini stage invasion that made for a joyous start to the year.

The Herald, January 4th 2018

ends

Comments

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Myra Mcfadyen - An Obituary

Myra McFadyen – Actress   Born January 12th 1956; died October 18th 2024   Myra McFadyen, who has died aged 68, was an actress who brought a mercurial mix of lightness and depth to her work on stage and screen. Playwright and artistic director of the Royal Lyceum Theatre, Edinburgh, David Greig, called McFadyen “an utterly transformative, shamanic actor who could change a room and command an audience with a blink”. Citizens’ Theatre artistic director Dominic Hill described McFadyen’s portrayal of Puck in his 2019 production of A Midsummer Night’s Dream at the Regent’s Park Open Air Theatre in London as “funny, mischievous and ultimately heartbreaking.”   For many, McFadyen will be most recognisable from Mamma Mia!, the smash hit musical based around ABBA songs. McFadyen spent two years on the West End in Phyllida Lloyd’s original 1999 stage production, and was in both film offshoots. Other big screen turns included Rob Roy (1995) and Our Ladies (2019), both directed by Mi...

The Passage – Hip Rebel Degenerates: Black, White and Red All Over

Prelude – The Power of Three   Fear. Power. Love. This life-and-death (un)holy trinity was the driving force and raisons d’être of The Passage, the still largely unsung Manchester band sired in what we now call the post-punk era, and who between 1978 and 1983 released four albums and a handful of singles.    Led primarily by composer Dick Witts, The Passage bridged the divide between contemporary classical composition and electronic pop as much as between the personal and the political. In the oppositional hotbed of Margaret Thatcher’s first landslide, The Passage fused agit-prop and angst, and released a song called Troops Out as a single. The song offered unequivocal support for withdrawing British troops from Northern Ireland.    They wrote Anderton’s Hall, about Greater Manchester’s born again right wing police chief, James Anderton, and, on Dark Times, rubbed Brechtian polemic up against dancefloor hedonism. On XOYO, their most commercial and potentially mo...