Skip to main content

John Sessions - An Obituary

John  Sessions – actor

 Born January 11, 1953; died November 2, 2020 

 

 John Sessions, who has died suddenly from a heart attack aged 67, was an actor of huge intelligence. This was clear early on from his regular appearances on both the TV and original radio version of Whose Line is it Anyway? (1988). Here, Sessions’ mercurial facility for comic improvisation was laced with a razor-sharp largesse that might see him join the dots between a series of seemingly freeform cultural references, classical allusions and literary quotations. 

 

Sessions’ ability for mimicry had already been a gift for two series’ of the original Spitting Image (1986), where he voiced puppets for Laurence Olivier, Norman Tebbitt, Prince Edward and many others. He later did something similar, albeit in the flesh this time, in Stella Street (1997), based around a suburban corner shop inexplicably run and frequented by celebrities. Here, Sessions played exaggerated versions of the likes of Al Pacino, Joe Pesci and a magnificently camp Keith Richards.

 

Sessions’ inherent gravitas born of his early ubiquity lent itself naturally to Shakespeare. On screen, he appeared as Macmorris in Kenneth Branagh’s Henry V (1989), Philostrate in Michael Hoffman’s A Midsummer Night’s Dream  (1999) and Salerio in Michael Radford’s The Merchant of Venice (2004). 

 

Inbetween numerous guest appearances on TV panel shows, QI and Have I Got News for You?, Sessions’ increasing elder statesman status allowed him to play a series of real life characters. In 1993, Sessions was James Boswell to Robbie Coltrane’s Samuel Johnson in John Byrne’s TV film, Boswell & Johnson’s Tour of the Western Isles, and he went on to play two very different British Prime Ministers. In Made in Dagenham (2010) he was Harold Wilson, and played Edward Heath in Margaret Thatcher biopic, The Iron Lady (2011).

 

It was in his assorted one-man shows on stage and screen saw Sessions fly without a safety net. His first solo breakout came in the mid 1980s with Napoleon, which saw him play the West End. In this and his at times brilliantly inventive solo TV shows that followed, he dazzled. His talent had been nurtured early on by maverick theatre director Ken Campbell, who is quoted in Michael Coveney’s biography of Campbell, The Great Caper, as saying that ‘If Billy Connolly was Lenny Bruce and had an MA in literature, he’d begin to look like John Sessions’. 

 

Others saw Sessions as too clever for his own good. Even on Spitting Image, Sessions was the only mimic to receive his own puppet, in which he was cast as Branagh and Emma Thompson’s pet cat, at one point disappearing up his own behind. It was a suitably clever parody even Sessions could appreciate.

 

Sessions was born John Gibb Marshall in Largs, Ayrshire, but moved with his family to Bedford in England when he was three years old. He went to Bedford Modern School and Verulam School, St Albans before studying English Literature at the University College of North Wales in Bangor. It was here he started performing one-man comedy shows before he moved to Hamilton, Ontario in Canada for what he described as an unhappy time studying for an uncompleted PhD on John Cowper Powys.

 

Sessions went to RADA, where student contemporaries included Branagh and Douglas Hodge. Sessions wrote to Campbell, who took him to Liverpool, where he appeared in improvised revues. Campbell toughened Sessions up by having him play venues ranging from tough Toxteth pubs to Greenham Common women’s peace camp. 

 

By the time he performed Napoleon, on the West End, Sessions was seemingly ready for anything. A bout of stage fright in 1995 whilst appearing in My Night With Reg, however, kept him away from live performance for almost two decades, before he returned in 2013 in William Boyd’s play, Longing. In interviews at the time, Sessions declared his distaste for both Scottish independence and the EU, and declared himself a supporter of UKIP. 

 

Latterly, Sessions appeared in the big-screen adaptation of Irvine Welsh’s novel, Filth (2013). There were a couple of episodes of Outlander (2014), and a brilliantly gnomic turn as actor Arthur Lowe in We’re Doomed! The Dad’s Army Story (2015), a TV drama about the creation of the classic 1960s and 1970s sitcom. 

 

As captivating as these late period flashes of comic genius remain, it is Sessions’ early flourish of unabashed intellectual artistry that remains embedded in the culture that his work was so deeply rooted in.

 

“I’m not clever,” he once said. “I’ve just read a lot of books.”


The Herald, November 4th 2020

 

ends

Comments

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) 1. THE STONE ROSES    Don’t Stop ( Silvertone   ORE   1989) The trip didn’t quite start here for what sounds like Waterfall played backwards on The Stone Roses’ era-defining eponymous debut album, but it sounds

Big Gold Dreams – A Story of Scottish Independent Music 1977-1989

Disc 1 1. THE REZILLOS (My Baby Does) Good Sculptures (12/77)  2. THE EXILE Hooked On You (8/77) 3. DRIVE Jerkin’ (8/77) 4. VALVES Robot Love (9/77) 5. P.V.C. 2 Put You In The Picture (10/77) 6. JOHNNY & THE SELF ABUSERS Dead Vandals (11/77) 7. BEE BEE CEE You Gotta Know Girl (11/77) 8. SUBS Gimme Your Heart (2/78) 9. SKIDS Reasons (No Bad NB 1, 4/78) 10. FINGERPRINTZ Dancing With Myself (1/79)  11. THE ZIPS Take Me Down (4/79) 12. ANOTHER PRETTY FACE All The Boys Love Carrie (5/79)  13. VISITORS Electric Heat (5/79) 14. JOLT See Saw (6/79) 15. SIMPLE MINDS Chelsea Girl (6/79) 16. SHAKE Culture Shock (7/79) 17. HEADBOYS The Shape Of Things To Come (7/79) 18. FIRE EXIT Time Wall (8/79) 19. FREEZE Paranoia (9/79) 20. FAKES Sylvia Clarke (9/79) 21. TPI She’s Too Clever For Me (10/79) 22. FUN 4 Singing In The Showers (11/79) 23. FLOWERS Confessions (12/79) 24. TV21 Playing With Fire (4/80) 25. ALEX FERGUSSON Stay With Me Tonight (1980) 1. THE REZILL

Edinburgh Rocks – The Capital's Music Scene in the 1950s and Early 1960s

Edinburgh has always been a vintage city. Yet, for youngsters growing up in the shadow of World War Two as well as a pervading air of tight-lipped Calvinism, they were dreich times indeed. The founding of the Edinburgh International Festival in 1947 and the subsequent Fringe it spawned may have livened up the city for a couple of weeks in August as long as you were fans of theatre, opera and classical music, but the pubs still shut early, and on Sundays weren't open at all. But Edinburgh too has always had a flipside beyond such official channels, and, in a twitch-hipped expression of the sort of cultural duality Robert Louis Stevenson recognised in his novel, Dr Jekyll and Mr Hyde, a vibrant dance-hall scene grew up across the city. Audiences flocked to emporiums such as the Cavendish in Tollcross, the Eldorado in Leith, The Plaza in Morningside and, most glamorous of all due to its revolving stage, the Palais in Fountainbridge. Here the likes of Joe Loss and Ted Heath broug