The Playhouse, Edinburgh Four stars An unreconstructed Liverpool skyline may hang over the action throughout the latest tour of Willy Russell's working class tragedy, but what follows could have happened in any post-industrial UK city that has had its heart ripped out of it over the last thirty years or so. That Russell's musical fable concerning the very different fortunes of two Scouse brothers separated at birth remains both phenomenally popular and damningly relevant after almost thirty years since its premiere speaks volumes about the state we're in. Much of the show's appeal comes from the sheer heart of Bob Tomson and Bill Kenwright's production, which heightens the action without ever losing its common touch. The latter comes through in the pop poetry of Kristofer Harding's funeral-suited Narrator as much as in the back-street demotic of Sean Jones' Mickey and Danielle Corlass' Linda. This counterpoints the more educated tones of Joel B
An archive of arts writing by Neil Cooper. Effete No Obstacle.