Coffee-Table Notes

Oran Mor, Glasgow Three stars    Life is one great big action movie for Davie and Sean. It’s always been that way, ever since they met across a garden fence when they were wee. Davie reckons he’s seen every film ever made, so it’s only right that he calls the shots, and they become Butch and Sundance to the end. Or at least until their playacting leads the pair down a darker road, and they end up in the same prison.    It is Davie who ends up being the first of the gang to die, alas, prompting a still incarcerated Sean to give his best friend the legendary send off he deserves. He even has the dearly departed around in celestial form to tell him what to do as he always has. For now, anyway.    Stephen Christopher and Graeme Smith’s new play for A Play, a Pie and a Pint’s lunchtime theatre season follows their success with The Scaff and Dancing Shoes with a fantastical rites of passage that takes Sean on a wild goose chase from prison cell to funeral pa...

Festival Theatre, Edinburgh Three stars  A night at the theatre never quite works out as planned if you are Inspector Morse. So it goes with what thus far remains the sole stage play drawn from characters created by the late Colin Dexter’s series of thirteen novels based around the man who went became telly’s most cultured copper in the small screen adaptations made between 1987 and 2000.   House of Ghosts was scripted by Alma Cullen, the Liverpool born Edinburgh émigré who penned four episodes of Morse’s TV adventures. Her original play first appeared in 2010, around the same time she was writing some of her final works for the Oran Mor based A Play, a Pie and a Pint lunchtime theatre initiative in Glasgow.   As a theatre writer immersed in Morse’s DNA, Cullen sets her play on the stage, where a co production of Hamlet acts as the prologue to what turns out to be an accidental Oxford University reunion between Morse and his peers. While he signed up with the police after...