Tramway, Glasgow Five stars Something is stirring beneath the cold, dark earth in Vanishing Point’s rollicking graveyard opera, brought to life by director Matthew Lenton in an epic co-production with the Citizens Theatre in association with Dundee Rep. There are bodies asleep in coffins piled on top of each other as Elicia Daly’s narrator wanders into the light, before Biff Smith and his pasty-faced street corner cabaret band strike up the first of a string of chansons that soundtrack a night of the undead. Above them, mourners pay assorted respects to their loved ones. Higher still, drunken angels keep their own council, enjoying the fruits of their out of touch immortality. What emerges out of designer Kenneth MacLeod’s magnificent funereal set is a series of noisy visual tableaux to accompany the live music inbetween rhymed exchanges between the eccentric members of an accidentally thrown together underground community. With the sixteen-strong ensemble swathed in ce...
An archive of arts writing by Neil Cooper. Effete No Obstacle.