Going Underground The Arches began and ended with civic failure. Neither was the fault of those in charge of the Glasgow city centre arts lab that existed between 1991 and 2015 in a cavernous interior beside Central Station that was both physically and metaphorically underground. The first failure was down to what had gone immediately before, and which accidentally birthed The Arches on a wing-and-a-prayer idea founded on punk-hippy idealism. The final act of civic vandalism that forced what by now had become one of the most important creative spaces in the world to close its doors was down to even worse external forces. Some might call it capitalism. In the quarter of a century in-between, The Arches captured hearts, minds, souls and imaginations. It changed lives, perceptions and, in at least one theatre show, clothes. Its messy mash-up of ‘lets-put-on-the-show-right-here’ recklessness and hedonistic excess was the most exploratory of adventures for both artists and audi...
An archive of arts writing by Neil Cooper. Effete No Obstacle.