Coffee-Table Notes

Tron Theatre, Glasgow Four stars    Arthur Miller’s major plays may have been written in the mid twentieth century, but their huge hearted studies of the human fall-out of post World War Two capitalism continue to tap into the collective American psyche like few others. It is thrilling, therefore, to have new productions of two of Miller’s mightiest works on our doorstep within a couple of weeks of each other. With Andy Arnold and David Hayman’s take on Death of a Salesman to come, Jemima Levick announces her tenure as artistic director of the Tron with a production of A View from the Bridge that resonates with creative vitality.    Miller’s play charts the downfall of Eddie Carbone, the New York longshoreman who opens his already busy house to his wife Beatrice’s two cousins Marco and Rodolfo, illegally transported from Italy. Where Marco works hard for his family back home, Rodolpho is attracted by the glamour of music and movies. In the middle of this is Eddie’s o...

King’s Theatre, Glasgow Four stars   Meet Evan Hansen. Hero and villain of Oscar winning songwriters Benj Pasek and Justin Paul’s Tony and Olivier award winning musical with writer Steven Levenson is a socially anxious seventeen-year-old whose therapist has suggested he write a letter to himself every day. This is so he can buoy himself up for what he hypes  himself into believing can only be a great day. Or not, as it more frequently turns out, in what is effectively the sort of self help secret diary intended for Evan’s eyes only.    When one of Evan’s missives is snatched from his hand by school bad boy Connor Murphy and found in the latter’s pocket after he takes a more extreme option for dealing with bad days, it is presumed Evan and Connor were best buds and confidantes. This sets in motion a series of events that go global, as Evan finds himself at the centre of an accidental fantasy that brings him the sort of attention he’s never had before. When things...

Òran Mór, Glasgow Four stars   When seventy-something Diane decides it’s time to die, the only way to go, it seems, is to take a last trip to Switzerland, where assisted dying is legal. The ticket price from Easterhouse isn’t cheap, alas, and Diane’s pension won’t stretch much further than paying for the not entirely legal painkillers supplied by her postman Connor. Diane’s wild days may be over, but she’s still queen of the Scheme. Diane’s carer Julie, meanwhile, finally dumps her philandering husband, an act of mid-life emancipation that points her towards a novel way of fundraising for Diane that is soon keeping them all in clover.    Such is life in Éimi Quinn’s increasingly wild new play, which opens the twentieth anniversary season of A Play, a Pie and a Pint’s lunchtime theatre phenomenon - the first under new artistic director Brian Logan - with a bang and a lot more besides. As Julie sets up shop as an online dominatrix, she brings new life as well as a stea...

Tramway, Glasgow Five stars    When a man turns up at a cheap hotel in the outer edge of nowhere, the last thing he expects to find is a talking monkey, let alone one with whom he spends the night drinking while hanging on his every word. The man, a writer whose by-line we never discover, has just been in a meeting with an editor who couldn’t remember her own name.    The Monkey, a Bruckner loving beast with a hangdog demeanour and a yearning to connect, has come all the way from Shinagawa, from whence he might just be able to explain what’s going on. Not that this helps another woman called Mizuki much, let alone her long lost friend Yuko, whoever they might be.   This makes for a haunting adaptation of Haruki Murakami’s short stories based around the Monkey. Knitted together by Glasgow’s Vanishing Point company in this international co-production with Japan’s Kanagawa Arts Theatre, where it premiered in November 2024, this makes for mesmerising viewing.  ...

Macrobert Arts Centre, Stirling  Four stars   When you fall down a hole it takes a devil to get you back on your feet. This is the case in James Robertson’s Booker Prize long listed 2006 novel, adapted for the stage by Matthew Zajac for the Highland based Dogstar company. Kevin Lennon’s eponymous Gideon is a free thinking son of the manse, who, for want of something else to believe in, finds himself occupying the pulpit of the Kirk in small town Monimaskit, where temptation lurks in every pew.   As we rewind on Gideon’s coming of age, from questioning teenager to Edinburgh student before settling in small town Monimasket with his young wife Jenny, world events beyond his bubble crackle through radio headlines. Margaret Thatcher’s second term as Prime Minister, The Falklands War and the Miner’s Strike are all in the mix. When Gideon disappears for three days after falling down a gorge, any threat of gritty realist nostalgia is tossed aside as we enter more metaphysical wat...

King’s Theatre, Glasgow Four stars   Pop trivia nerds will have long been aware that the roots of the title for the chartbusting series of smash hit compilation albums founded in 1983 that gives this new jukebox musical its title comes from a 1920s poster for Danish bacon. As recounted by Richard Branson, whose Virgin label kick-started the series, the poster depicted an image of a pig declaring “Now. That’s What I Call Music,” as it watched a chicken singing.    With a current tally of 119 releases and rising, the history of NOW is the history of mainstream British pop. As the branding of this record company backed show suggests, NOW also provided the soundtrack to the lives of several generations of glossy pop lovers.   So it goes with Gemma and April, the two women on the verge in writer Pippa Evans’ prime time dramady set around the aftermath of a school reunion. When they were just seventeen, Gemma and April were girls who just wanted to have fun, albeit with ve...

The Studio, Edinburgh Five stars   The end of the world as we know it has been pretty much nigh for some time now. Yet despite a parallel universe load of conspiracy theories and threats of alien invasions, somehow it manages to keep on turning. But what does it take to believe in flying saucers and interplanetary interventions to a near messianic degree? More importantly, what happens when the apocalypse never comes and normal life resumes?   These were the sort of questions being asked back in the pre internet 1950s by social scientists Leon Festinger, Henry Riecken and Stanley Schachter, who infiltrated one such group of believers that held court in an all American suburban living room. Calling themselves the Seekers, the group put faith in the idea that an impending biblical flood was about to devastate the earth.    The good news, however, is that they believed – that word again – they would be saved by extra-terrestrials who, like thieves in the night, would be...