Tron Theatre, Glasgow 3 stars When Ella Hickson’s debut work appeared at the fag-end of the twenty-first century’s first decade, her octet of monologues tapped into a similar emotional and spiritual void that had fascinated a new wave of playwrights a decade before. Almost half a decade on, the student-based NewUpNorth-Scotland company’s revival now looks and sounds like a little time capsule of a fragmented society at rest and in motion, with each of Hickson’s characters taking pause for thought at what they’ve become. Nowhere is this more evident than with Millie, the jolly-hockeysticks hooker who tends to poetry-loving toffs put out to grass by the rise of New Labour. With David Cameron’s Westminster government posher than ever, one suspects the Millie of today would either be serving her constituency with renewed gusto or else find herself side-lined as her boys pack some Bullingdon-sired lead in their pencils elsewhere. While many of the pieces now look similarly
An archive of arts writing by Neil Cooper. Effete No Obstacle.