Citizens Theatre, Glasgow Four stars If ever there was a play more perfectly suited to accommodate the Citizens Theatre's artistic director Dominic Hill's stylistic penchant for turning a play visibly inside out, so it appears to take place backstage, Richard Brinsley Sheridan's eighteenth century comedy of manners is hard to beat. In a work that puts social pretence at its heart, it seems fitting that we see the cast put on their wigs and elaborately powdered face masks even as they set the scene for Sheridan's similarly multi-layered romp around the houses of Bath en route to true love. And if the assorted picture frames that fly in and out with assorted painted backdrops are as artificial as the mirrors are empty of glass on designer Tom Rogers' set, the point about how looks can be deceptive is made even clearer. The person most keen on keeping up appearances is Mrs Malaprop, played here by Julie Legrand as a tragicomic grand dame intent on bringing the m
An archive of arts writing by Neil Cooper. Effete No Obstacle.