The Playhouse, Edinburgh Four stars Given the current state of the world, watching a mob of banner-wielding demonstrators intent on electing a populist demagogue at the close of the first act in Tim Rice and Andrew Lloyd Webber's greatest collaboration is a slightly odd experience. Given too that the mob are singing about how the voice of the people cannot be divided, the effect borders on chilling. It's unlikely this was Rice and Lloyd Webber's intention when they premiered their finest couple of hours on the West End back in 1978. The staying power of the duo's real-life latin-tinged rags to riches melodrama suggests it taps into something that goes beyond the appeal of the show's best songs in Bob Tomson and Bill Kenwright's grandiloquent production. It begins and ends with a funeral, as Argentinian people's princess Eva Peron lies in state beneath a portrait of her still young self. As things rewind, we watch a small-town girl with big ideas, b
An archive of arts writing by Neil Cooper. Effete No Obstacle.