Queen's Gallery, Palace of Holyroodhouse, Edinburgh until November 26 th The image of nineteenth century war photographer Roger Fenton dressed as an Algerian soldier at the start of this major showing of the Rochdale-born snapper's extensive frontline dispatches from the Crimean War says much about the sense of derring-do that pervades early on. With Britain, France, the Ottoman Empire and the Kingdom of Sardinia at war with the Russian Empire since 1853, Fenton was hired by Manchester publishers Thomas Agnew and Son to document the War in a way that could be used by painter Thomas Barker, who they also commissioned. More than fifty of Fenton's studies are rounded up in Barker's The Allied Generals with the Officers of their Respective Staffs Before Sebastopol, a piece worth it for the title alone, which resembles that of a Howard Barker play. It was a commercial gig, with Fenton encouraged by friends in high places to deliver a more heroic counterpoint to the crit
An archive of arts writing by Neil Cooper. Effete No Obstacle.