Skip to main content

Tracer Trails First Birthday Party - The Irrisistable Rise of Cottage Industry Culture

Old St Paul’s Church Hall, Jeffrey St, Edinburgh, Oct 12 2007
A tracer trail is the streak of light left behind by a speeding bullet. It’s also the name of the micro cottage industry who’ve consistently promoted some of the most charming live shows in Edinburgh over the last year. To celebrate, a very special anniversary do will feature ex Appendix Out frontman Alasdair Roberts supported by PuMajaW, the spectral collaboration between vocalist Pinkie Maclure and John Wills, formerly of proto-shoegazers Loop, alongside DJs from Tracer Trails equally hand-knitted kindred spirits from Beard fanzine.

With previous shows having featured the likes of Jeffrey Lewis and all manner of sensitive troubadour types from the more melodic end of the current wave of alt-folk-pop-whatever, the emphasis of Tracer Trails is on the low-key.

““I don’t know if we achieve it,” chief Tracer Trail Emily Roff admits, “but I think there are people looking for more of an event. We’ve no ethos as such, other than whatever happens to fall into my tastes.”

Venues are important to Tracer Trails, with occasional shows at both the Collective and Stills Gallery, including a forthcoming Halloween extravaganza, while shows upstairs at Bristo Adventist Church, above the Forest Café, saw the provision of tea and toast on the menu.

“The tea and toast thing is faux naïve,” Roff says, “but I think it gives things a deliberate aesthetic. As far as I’m concerned I’d rather have a venue that doesn’t have a bar which makes money out of people.”

Hence TT’s birthday church social vibe at Old St Paul’s. Whether pure or puritanical, Tracer Trails has been an education for Roff.

“I was told recently that a tracer trail was also the aura that you see around things when you’ve taken hallucinogenics,” she deadpans. “That disappointed me slightly.”
www.myspace.com/tracertrails

The Herald, October 2007

ends

Comments

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Myra Mcfadyen - An Obituary

Myra McFadyen – Actress   Born January 12th 1956; died October 18th 2024   Myra McFadyen, who has died aged 68, was an actress who brought a mercurial mix of lightness and depth to her work on stage and screen. Playwright and artistic director of the Royal Lyceum Theatre, Edinburgh, David Greig, called McFadyen “an utterly transformative, shamanic actor who could change a room and command an audience with a blink”. Citizens’ Theatre artistic director Dominic Hill described McFadyen’s portrayal of Puck in his 2019 production of A Midsummer Night’s Dream at the Regent’s Park Open Air Theatre in London as “funny, mischievous and ultimately heartbreaking.”   For many, McFadyen will be most recognisable from Mamma Mia!, the smash hit musical based around ABBA songs. McFadyen spent two years on the West End in Phyllida Lloyd’s original 1999 stage production, and was in both film offshoots. Other big screen turns included Rob Roy (1995) and Our Ladies (2019), both directed by Mi...

The Passage – Hip Rebel Degenerates: Black, White and Red All Over

Prelude – The Power of Three   Fear. Power. Love. This life-and-death (un)holy trinity was the driving force and raisons d’être of The Passage, the still largely unsung Manchester band sired in what we now call the post-punk era, and who between 1978 and 1983 released four albums and a handful of singles.    Led primarily by composer Dick Witts, The Passage bridged the divide between contemporary classical composition and electronic pop as much as between the personal and the political. In the oppositional hotbed of Margaret Thatcher’s first landslide, The Passage fused agit-prop and angst, and released a song called Troops Out as a single. The song offered unequivocal support for withdrawing British troops from Northern Ireland.    They wrote Anderton’s Hall, about Greater Manchester’s born again right wing police chief, James Anderton, and, on Dark Times, rubbed Brechtian polemic up against dancefloor hedonism. On XOYO, their most commercial and potentially mo...