Skip to main content

Twin Sister

Sneaky Pete's, Edinburgh
Thursday November 10th 2011
4 stars
In her geek-girl specs and floppy Annie Hall hat, Twin Sister chanteuse
Andrea Estella appears as quintessentially kooky a New Yorker as any
afficionado of 1970s me-generation peak era Woody Allen movies could
wish for. The check-shirted quartet of preppy boys cooking up a post
Vampire Weekend groove behind her concur, even as they counterpoint
Estella's wispiness with something infinitely more twenty-first
century.

Guitarist Eric Cardona actually opens his mouth first to sing in a
disarmingly high voice before Estella picks things up for Bad Street, a
sassy little strut fleshed out from the band's debut album proper, In
Heaven, and which flits between bass-led punk-funk-lite, twinkly synths
and even a brief Debbie Harry style rap. With shades of Saint Etienne,
Fleetwood Mac, Broadcast and Curved Air gone disco, more often than not
in the same song, such pick and mix eclectism soars into the ether, but
shyly.

Rather, with Estella's gossamer-frail voice bobbing in, about and all
around all such tributaries, Twin Sister are a user-friendly concoction
of infectiously prettified melodies. Radio-friendly sleeper hit All
Around And Away We Go is a case in point. Toughened up for the live
arena, given a late-night slot, Twin Sister might just cut loose enough
to turn turn into a dance-floor dream.

The List, November 2011

ends

Comments

Popular posts from this blog

Myra Mcfadyen - An Obituary

Myra McFadyen – Actress   Born January 12th 1956; died October 18th 2024   Myra McFadyen, who has died aged 68, was an actress who brought a mercurial mix of lightness and depth to her work on stage and screen. Playwright and artistic director of the Royal Lyceum Theatre, Edinburgh, David Greig, called McFadyen “an utterly transformative, shamanic actor who could change a room and command an audience with a blink”. Citizens’ Theatre artistic director Dominic Hill described McFadyen’s portrayal of Puck in his 2019 production of A Midsummer Night’s Dream at the Regent’s Park Open Air Theatre in London as “funny, mischievous and ultimately heartbreaking.”   For many, McFadyen will be most recognisable from Mamma Mia!, the smash hit musical based around ABBA songs. McFadyen spent two years on the West End in Phyllida Lloyd’s original 1999 stage production, and was in both film offshoots. Other big screen turns included Rob Roy (1995) and Our Ladies (2019), both directed by Mi...

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Billy Elliot The Musical

Edinburgh Playhouse Five stars A big National Coal Board sign looms large at the opening of Lee Hall and Elton John's decade-old musical stage version of Hall and director Stephen Daldry's hit turn of the century film. In a tale of one little boy's liberation as a dancer against the backdrop of the 1980s miners strike, however, the Durham Miners banner and the 'Save Our Community' sash held aloft matter more. It is this call to arms that forms the heart of Daldry's production, as Billy becomes a potty-mouthed beacon of hope in a situation where picket line, thin blue line and chorus line rub uneasily up against each other. Given such a context, there is bound to be some pretty grown-up stuff going on here, be it the institutionalised homophobia in Billy's village, the class war going on within it, or Billy's grieving for his dead mother that drives his every move. And, as so magnificently choreographed by Peter Darling, what moves they are. Watch...