Dundee Contemporary
Arts until April 21st 2013
4 stars
The back catalogue of
seventeenth century painter Nicolas Poussin isn't the most obvious
frame of reference for German iconoclast Jutta Koether, but when she
was taken to see his The Seven Sacraments at the Scottish National
Gallery, something clicked. The end result for Koether's first major
show in Scotland following an appearance at the DCA as part of the
Altered States of Paint group show in 2008 is this large-scale,
hopelessly devoted homage/reimagining of Poussin, rebranded and
rewired for a post-modern twenty-first century pop age. The fact that
Koether's versions of Seasons, four paintings first shown at the
Whitney Biennial in New York in 2012, and the more sculptural The
Seven Sacraments, created in situ, feature bit part players such as
philosopher Jacques Derrida, German racing driver and walking product
placement Sebastian Vettel and the Queen adds a playful wit to the
pop classicist sheen.
There's something
Blakeian about The Seasons, hung in mid-air and in the round on
sheets of glass in such a way that the viewer moves anti-clockwise
from Winter onwards, with Vettel's appearance alluding to seasons
that are about more than just the weather. Vettel is there too in The
Seven Sacraments, which are all too personal interpretations of
Poussin, involving pearl necklaces and the keys of Koether's own life
and work as we move from 'Baptism' to 'Eucharist'. Such totems that
adorn the three large sheets of glass actually more resembles
tributes left after a crucifixion than the 'Confirmation' it
represents. Inbetween the galleries, though only accessible from one,
is 'Extreme Unction', a construction laid out in the shape of a
number seven, and again laden with pop reference points. Rather than
overloaded with scattershot free-associative detritus, Koether has
meticulously plundered her sources to make a series of epic
statements for a secular age.
The List, March 2013
ends
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