Skip to main content

Leaving Planet Earth

EICC
4 stars
Suspension of disbelief is everything in Edinburgh-based site-specific auteurs Grid Iron's science-fiction spectacular, which moves its audience between worlds in epic fashion. Old Earth is finished, and a mass migration programme to a New Earth has been initiated. Chief architect of this is Vela, who has become a figurehead for the new society.

We're told all this during a film in a blacked-out bus as we travel out to the new planet. We've already checked in to an ambient soundtrack, and, once we've crossed the threshold as the final in-comers before the ties with old earth are cut, are given a guided tour by assorted mandarins who explain how our shiny new future will pan out. Behind all this, however, things aren't quite what they seem, as some of New Earth's inhabitants nostalgically cling to totems of their past held in the Old Earth Museum, while Vela herself appears to be falling apart.

Set mainly in the stunning confines of Edinburgh International Climbing Centre in Ratho, Catrin Evans and Lewis Hetherington's production is a dazzling whirligig of hi-tech sound and vision. Content-wise, it reads like an extended episode of any 1960s and 1970s cult sci-fi TV show you'd care to name, and is full of the sense of paranoia and prophecy of them all in a futuristic study of the sort of social control that is becoming endemic in the world right now. If one yearns for more depth, and to find out what happens beyond the triumphalistic finale, one can't help but be captured by a moment that promises you the world, but looks destined to leave you stranded instead.

The Herald, August 12th 2013


ends

Comments

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Edinburgh Rocks – The Capital's Music Scene in the 1950s and Early 1960s

Edinburgh has always been a vintage city. Yet, for youngsters growing up in the shadow of World War Two as well as a pervading air of tight-lipped Calvinism, they were dreich times indeed. The founding of the Edinburgh International Festival in 1947 and the subsequent Fringe it spawned may have livened up the city for a couple of weeks in August as long as you were fans of theatre, opera and classical music, but the pubs still shut early, and on Sundays weren't open at all. But Edinburgh too has always had a flipside beyond such official channels, and, in a twitch-hipped expression of the sort of cultural duality Robert Louis Stevenson recognised in his novel, Dr Jekyll and Mr Hyde, a vibrant dance-hall scene grew up across the city. Audiences flocked to emporiums such as the Cavendish in Tollcross, the Eldorado in Leith, The Plaza in Morningside and, most glamorous of all due to its revolving stage, the Palais in Fountainbridge. Here the likes of Joe Loss and Ted Heath broug...

Carla Lane – The Liver Birds, Mersey Beat and Counter Cultural Performance Poetry

Last week's sad passing of TV sit-com writer Carla Lane aged 87 marks another nail in the coffin of what many regard as a golden era of TV comedy. It was an era rooted in overly-bright living room sets where everyday plays for today were acted out in front of a live audience in a way that happens differently today. If Lane had been starting out now, chances are that the middlebrow melancholy of Butterflies, in which over four series between 1978 and 1983, Wendy Craig's suburban housewife Ria flirted with the idea of committing adultery with successful businessman Leonard, would have been filmed without a laughter track and billed as a dramady. Lane's finest half-hour highlighted a confused, quietly desperate and utterly British response to the new freedoms afforded women over the previous decade as they trickled down the class system in the most genteel of ways. This may have been drawn from Lane's own not-quite free-spirited quest for adventure as she moved through h...