Skip to main content

And Then There Were None

Dundee Rep
Three stars
There's a whiff of anarchy about Agatha Christie's much loved murder 
mystery yarn, revived here by Kenny Miller, who puts Christie's 
island-set affair in an impossibly chic drawing room complete with 
catwalk, bar and a rhinoceros skeleton on top. It's as if by putting 
ten thoroughly ghastly archetypes of her age in the same room and 
bumping them off one by one, she's attempting to wipe out an entire 
society. The fact that the opening scene where the ten strangers meet 
for the first time resembles something out of Big Brother makes 
Christie's righteous indignation at such a motley crew of boy racers, 
corrupt coppers, dried-out doctors, well-heeled fops and career girls 
on the make even more justified.

While none of this is pushed to the fore in an at times unintentionally 
funny rendition as Dundee Rep's ensemble cast navigate their way 
through Christie's cut-glass period demotic, it still simmers beneath 
the play's impeccable manners. With the story's original downbeat 
ending reinstated, there's a glorious lack of sentimentality on show as 
the body-count increases. This sets up a set of top turns, with Irene 
Macdougall and Ann Louise Ross relishing every second with their 
respective tight-lipped grotesques. While Robert Jack makes a dashingly 
slimy Lombard as Emily Winter's drop-dead Vera swishes and circles 
about him, it's Ian Grieve's bumbling greedy-guts, Blore, who seems to 
fully inhabit Christie's world.

Like any elite scrambling to survive, the second half has the play's 
final five turning on each other even as they huddle into the shadows 
for comfort. When the culprit is revealed as the ultimate vigilante, 
it's the coldest of finales in a play that takes no prisoners.

The Herald, March 11th 2014

ends

Comments

Amit Agarwal said…
It was my first Agatha Christie novel. I was interested to order this book after reading the tag "over 100 million copied sold". Also, the plot which has 10 murders was definitely something which a mystery/detective lover like me would grab with both hands. And I must say, the plot is superb and the story proceeds at a fast pace and keeps you guessing. As the characters get murdered one by one, the suspicion towards the survivors keeps changing. Lovely read.
Now I know where "Gumnam" movie got its plot from.

Popular posts from this blog

Billy Elliot The Musical

Edinburgh Playhouse Five stars A big National Coal Board sign looms large at the opening of Lee Hall and Elton John's decade-old musical stage version of Hall and director Stephen Daldry's hit turn of the century film. In a tale of one little boy's liberation as a dancer against the backdrop of the 1980s miners strike, however, the Durham Miners banner and the 'Save Our Community' sash held aloft matter more. It is this call to arms that forms the heart of Daldry's production, as Billy becomes a potty-mouthed beacon of hope in a situation where picket line, thin blue line and chorus line rub uneasily up against each other. Given such a context, there is bound to be some pretty grown-up stuff going on here, be it the institutionalised homophobia in Billy's village, the class war going on within it, or Billy's grieving for his dead mother that drives his every move. And, as so magnificently choreographed by Peter Darling, what moves they are. Watch...

Myra Mcfadyen - An Obituary

Myra McFadyen – Actress   Born January 12th 1956; died October 18th 2024   Myra McFadyen, who has died aged 68, was an actress who brought a mercurial mix of lightness and depth to her work on stage and screen. Playwright and artistic director of the Royal Lyceum Theatre, Edinburgh, David Greig, called McFadyen “an utterly transformative, shamanic actor who could change a room and command an audience with a blink”. Citizens’ Theatre artistic director Dominic Hill described McFadyen’s portrayal of Puck in his 2019 production of A Midsummer Night’s Dream at the Regent’s Park Open Air Theatre in London as “funny, mischievous and ultimately heartbreaking.”   For many, McFadyen will be most recognisable from Mamma Mia!, the smash hit musical based around ABBA songs. McFadyen spent two years on the West End in Phyllida Lloyd’s original 1999 stage production, and was in both film offshoots. Other big screen turns included Rob Roy (1995) and Our Ladies (2019), both directed by Mi...

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...