Dundee Rep
Three stars
There's a whiff of anarchy about Agatha Christie's much loved murder
mystery yarn, revived here by Kenny Miller, who puts Christie's
island-set affair in an impossibly chic drawing room complete with
catwalk, bar and a rhinoceros skeleton on top. It's as if by putting
ten thoroughly ghastly archetypes of her age in the same room and
bumping them off one by one, she's attempting to wipe out an entire
society. The fact that the opening scene where the ten strangers meet
for the first time resembles something out of Big Brother makes
Christie's righteous indignation at such a motley crew of boy racers,
corrupt coppers, dried-out doctors, well-heeled fops and career girls
on the make even more justified.
While none of this is pushed to the fore in an at times unintentionally
funny rendition as Dundee Rep's ensemble cast navigate their way
through Christie's cut-glass period demotic, it still simmers beneath
the play's impeccable manners. With the story's original downbeat
ending reinstated, there's a glorious lack of sentimentality on show as
the body-count increases. This sets up a set of top turns, with Irene
Macdougall and Ann Louise Ross relishing every second with their
respective tight-lipped grotesques. While Robert Jack makes a dashingly
slimy Lombard as Emily Winter's drop-dead Vera swishes and circles
about him, it's Ian Grieve's bumbling greedy-guts, Blore, who seems to
fully inhabit Christie's world.
Like any elite scrambling to survive, the second half has the play's
final five turning on each other even as they huddle into the shadows
for comfort. When the culprit is revealed as the ultimate vigilante,
it's the coldest of finales in a play that takes no prisoners.
The Herald, March 11th 2014
ends
Comments
Now I know where "Gumnam" movie got its plot from.