Skip to main content

In My Father's Words

Tron Theatre, Glasgow
Four stars
When the increasingly senile old man at the heart of Justin Young's
moving, Toronto-set new play declares to his estranged son in Gaelic
that “We will go fishing,” the initial reaction is one of
incomprehension. By the end of Philip Howard's elegiac production for
Dundee Rep, however, Don has built a bridge, not just with his classics
lecturer son, Louis, who he hasn't seen for fifteen years, but with
Flora, the Gaelic-speaking carer Don hires so he can get on with his
self-absorbed and  long overdue translation of Homer.

Inspired by an Iain Crichton Smith's poem and set in a pre-laptop,
pre-Google early 1990s, what at first looks like a quiet play about
fathers, sons, and everyday dysfunction opens itself out to grander
themes of odyssey, exile and the gulf that can open up among families
when separated by war. Such  classical allusions never lose sight of
the basic human cost of this absence. With Lewis Howden's Louis the
epitome of world-weary resentment, Don's own pains become tellingly
clear through Angus Peter Campbell's vivid and understated portrayal.
It is Flora's disruptive appearance, played with gusto by Muireann
Kelly, that opens up both men enough to confront their troubled pasts.

While played primarily in English, Iain Finlay Macleod's Gaelic
translations projected onto screens on a twin-tiered wood-lined set
become key to the play's over-riding lyricism. Jon Beales' languid
score adds to the mood of poignancy and warmth. As Louis comes back to
life even as his father fades, their accidental quest for mutual
understanding reveals a shared history that is both intimate and epic
in its reach for roots and reconciliation.

The Herald, June 23rd 2014


ends

Comments

Popular posts from this blog

Peter Brook – The Prisoner

Peter Brook is no stranger to Scotland, ever since the guru of European and world theatre first brought his nine-hour epic, The Mahabharata, to Glasgow in 1988. That was at the city’s old transport museum, which by 1990 had become Tramway, the still-functioning permanent venue that opened up Glasgow and Scotland as a major channel for international theatre in a way that had previously only been on offer at Edinburgh International Festival.
Brook and his Paris-based Theatre des Bouffes du Nord company’s relationship with Tramway saw him bring his productions of La Tragedie de Carmen, La Tempete, Pellease et Mellisande, The Man Who…, and Oh Les Beaux Jours – the French version of Samuel Beckett’s Happy Days – to Glasgow.
Thirty years on from The Mahabharata, Brook comes to EIF with another piece of pan-global theatre as part of a residency by Theatre des Bouffes du Nord, which Brook has led since he decamped to Paris from London in the early 1970s. The current Edinburgh residency has alr…

Suzy Glass – Message from the Skies

Freedom of movement matters to Suzy Glass, the arts and events producer currently overseeing the second edition of Message from the Skies.This animated literary derive around the city forms part of this year’s Edinburgh’s Hogmanay programme, and runs right through till Burns’ Night. Glass’ concerns are inherent in the event itself, which has commissioned six writers from different disciplines and experiences to each pen a love letter to Europe. Each writer has then paired up with a composer and visual artist or film-maker, with the results of each collaboration projected in monumental fashion on the walls of one of half a dozen of the capital’s most iconic buildings.
With venues stretching from the south side of Edinburgh to Leith, and with one city centre stop requiring a walk up Calton Hill, there is considerable legwork required to complete the circuit. It shouldn’t be considered a race, however, and audiences are free to move between venues at their leisure, visiting each site on d…

Romeo And Juliet - Shakespeare's Globe Comes to Glasgow

Open-air Shakepeares are a summer-time perennial of the theatre calendar, attracting picnicking audiences as much as midges. More often than not, such romps through the grass are frothy, heritage industry affairs designed to be accompanied by strawberries and cream and not to be taken too seriously. Shakespeare’s Globe theatre company look set to change such perceptions when they open their outdoor tour of Romeo And Juliet in Glasgow next week as part of the West End festival.

For the two young actors taking the title roles of the doomed lovers, it will also be something of a homecoming. Richard Madden and Ellie Piercy both studied in Glasgow prior to turning professional. Indeed, Madden has yet to graduate from the acting course at RSAMD, and, as well as facing the pressures of playing such a meaty role in close proximity to the audience, will have the added anxiety of being assessed and graded by his tutors.

“This is the end of my third year,” says Madden following a Saturday mornin…