Skip to main content

The Fundraiser

Salutation Hotel, Perth
Four stars
In the banqueting hall of the oldest hotel in Scotland, a very special
event is about to take place. The party tunes are playing, and the
stage is swathed in sparkly scarlet tinsel designed to match the oh-so
OTT outfits of our glamorous auctioneers, Tina and Rachel. They are
here to raise money, spirits and a smile for Tina's heroic
cross-channel swim following a near brush with death after an asthma
attack.

Once the audience have been escorted to their tables with bidding cards
and raffle tickets in hand, what follows in Robert Jack's production of
Lesley Hart's new play at first looks like a kitsch and slightly camp
dissection of the toe-curling spectacle which a well-meaning but
misguided fund-raising event can easily end up as. The bad gags, rictus
grins and awkwardly staged amateur hour routines are all grotesque
enough in the hands of the double act of Sally Reid as Tina and Claire
Knight as Rachel in something which initially resembles a Saturday
Night Live style satirical routine.

When the pair are upstaged by an uninvited guest while the supposed
special guest star fails to show, however, the stakes are cranked up
considerably for a troubling piece of dark comedy made all the more
effective by its deliberate localism in this contribution to Perth
Theatre's Out and About programme. Reid and Knight, accompanied by a
blousy Libby McArthur, provide a perfect balance of light and shade in
Hart's blackly comic look at familial dysfunction. If it doesn't quite
know how to end things yet, no matter. This can easily be developed
once Jack's production is hopefully revived to play function rooms
across the land.

The Herald, November 10th 2014


ends
 

Comments

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Edinburgh Rocks – The Capital's Music Scene in the 1950s and Early 1960s

Edinburgh has always been a vintage city. Yet, for youngsters growing up in the shadow of World War Two as well as a pervading air of tight-lipped Calvinism, they were dreich times indeed. The founding of the Edinburgh International Festival in 1947 and the subsequent Fringe it spawned may have livened up the city for a couple of weeks in August as long as you were fans of theatre, opera and classical music, but the pubs still shut early, and on Sundays weren't open at all. But Edinburgh too has always had a flipside beyond such official channels, and, in a twitch-hipped expression of the sort of cultural duality Robert Louis Stevenson recognised in his novel, Dr Jekyll and Mr Hyde, a vibrant dance-hall scene grew up across the city. Audiences flocked to emporiums such as the Cavendish in Tollcross, the Eldorado in Leith, The Plaza in Morningside and, most glamorous of all due to its revolving stage, the Palais in Fountainbridge. Here the likes of Joe Loss and Ted Heath broug...

Carla Lane – The Liver Birds, Mersey Beat and Counter Cultural Performance Poetry

Last week's sad passing of TV sit-com writer Carla Lane aged 87 marks another nail in the coffin of what many regard as a golden era of TV comedy. It was an era rooted in overly-bright living room sets where everyday plays for today were acted out in front of a live audience in a way that happens differently today. If Lane had been starting out now, chances are that the middlebrow melancholy of Butterflies, in which over four series between 1978 and 1983, Wendy Craig's suburban housewife Ria flirted with the idea of committing adultery with successful businessman Leonard, would have been filmed without a laughter track and billed as a dramady. Lane's finest half-hour highlighted a confused, quietly desperate and utterly British response to the new freedoms afforded women over the previous decade as they trickled down the class system in the most genteel of ways. This may have been drawn from Lane's own not-quite free-spirited quest for adventure as she moved through h...