Pitlochry Festival Theatre
Four Stars
Four Stars
Imagine a land far away from a home where NIMBYish neighbours attempt to flex the only muscles their wealth will allow by restricting the freedoms of others. Wicked citizens of real life town and country haven’t quite managed to outlaw dog-walking yet, although Camille Marmie’s busy-bodyish Almira Gulch’s attempts to get young Dorothy’s pet pooch Toto put down are in much the same spirit in Gemma Fairlie’s revival of L Frank Baum’s much loved yarn.
Dorothy’s
resistance when she runs away with Toto sees her caught up in an actual
whirlwind that transports her to a Munchkinland which looks a bit like Pontin’s
holiday camp. Setting out along a yellow brick road that resembles an oversize
hamster’s wheel in an adventure playground, Dorothy and the friends she
acquires en route to meet her apparent saviour are damaged goods. In what at
moments looks like a self-help book come to technicolour life, it is Marmie’s slinky
Wicked Witch of the West who pulls the strings.
John Kane’s adaptation of the 1939 festive-friendly feature film was originally presented by the Royal Shakespeare Company. His imaginings are led here by a sparky Rachel Flynn as Dorothy, who steps into a seemingly idyllic Emerald City populated by gymnastic trees, flying monkeys and some exquisite Busby Berkeleyesque aerial choreography.
John Kane’s adaptation of the 1939 festive-friendly feature film was originally presented by the Royal Shakespeare Company. His imaginings are led here by a sparky Rachel Flynn as Dorothy, who steps into a seemingly idyllic Emerald City populated by gymnastic trees, flying monkeys and some exquisite Busby Berkeleyesque aerial choreography.
Beyond
the cuteness of Toto being played by real life canine Evie in tandem with her
four-legged friend Barney, once landing in Oz a puppet doppelgänger takes the
lead. PFT’s Young Company, meanwhile, come suited and booted as a kingdom of
Munchkins in fine communal voice. There is top support too from Dougie Flowers’
ten-piece band, who play Harold Arlen’s score for E.Y. Harburg’s lyrics with jazztastic
gusto in a way that allows Rebecca Howell’s dance numbers to shine.
Crawford Logan’s scatty Wizard is a Boris Johnson-like Trumpian figure who thinks he can con the population into believing in things he can’t deliver. For Dorothy and her disenfranchised sidekicks, the only response left is to click your heels, stand tall and believe in yourself enough to take on whichever world you land in.
Crawford Logan’s scatty Wizard is a Boris Johnson-like Trumpian figure who thinks he can con the population into believing in things he can’t deliver. For Dorothy and her disenfranchised sidekicks, the only response left is to click your heels, stand tall and believe in yourself enough to take on whichever world you land in.
The Herald, November 30th 2018
ends
ends
Comments