Royal Lyceum Theatre,
Edinburgh
Five stars
There was always a
beautiful sleight of hand about Local Hero, Bill Forsyth’s big screen hymn to
the transformative power of Scotland’s rural landscape. On the one hand,
Forsyth’s iconic tale of an American oil company’s attempt to buy up the
fictional village of Ferness is a charmingly romantic study of the power of the
little guy in the face of being made an offer they can’t refuse. On the other, with
free-market economics in full swing when the film was released in 1983, its take
on community spirit defeating corporate capitalism was the gentlest of protests.
Thirty-six years on,
this feels like the case even more in this gorgeous new stage musical based on
Forsyth’s original screenplay, and co-written by Forsyth and the Lyceum’s artistic
director David Greig. Featuring nineteen new songs by the film’s original
composer, Mark Knopfler, director John Crowley’s co-production between the
Lyceum and the Old Vic is a loving and immaculately crafted take on the
original story.
Damian Humbly’s oil man
Mac is dispatched to Ferness to set in motion plans to build a refinery, moving
from a big-suited life of shiny skyscrapers, electronic briefcases and digital
watches to a place where everybody cuts three jobs to make ends meet. Mac has
an epiphany inspired by Matthew Pidgeon’s dancing hotel manager accountant,
Gordon, his sort-of wife Stella, played with understated steel by Katrina Bryan,
and Ben, Julian Forsyth’s wise old man of the sea.
Set beneath Luke Halls’
exquisite video projections on Scott Pask’s minimal set, Crowley’s production
remains faithful to the essence of its source, with the show’s full
fifteen-strong acting ensemble rising to the occasion. Their performances are heightened
even more by Lucy Hind’s movement direction and a live seven-piece band
overseen by Dave Milligan, who lace Knopfler’s songs with a poignancy and warmth
that makes them the heart of the show. Arriving onstage at a time when
billionaire bullies are running the world’s natural resources into the ground, this
is a joyful gaze at a sky-full of possibilities beyond.
The Herald, March 25th 2019
Ends
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