Skip to main content

As You Like It

Botanic Gardens, Glasgow
Four stars

It's a big night at Oliver's nightclub at the start of Bard in the Botanics' updated look at Shakespeare's gender-bending rom-com. Oliver's swanky establishment is the place to be, even if all intimacies and asides are shared in the smoking area or the bathroom just like any club.

Alan Steele's Duke Frederick may be a shiny suited spiv, drunk on his own illegitimate power, but his daughter Celia and her cousin Rosalind are all glitzed up and ready for action. This they duly get by way of a wrestling match involving Oliver's kid brother Orlando. It's hardly WWE, but the chemistry between Orlando and Rosalind is similarly athletic in its intentions.

With Rosalind thrown out of town by Frederick, she, Celia and best pal Touchstone decide to get their heads together in the country. The Arden they arrive in like a trio of Glastonbury virgins is a flower- adorned hippy village seemingly occupied by a set of free-loving Travellers who have come together to form a tribe like the ghosts of free festivals past. In fact, they are under the benevolent and laid-back care of Rosalind's exiled old man Duke Senior.

With Rosalind disguised as a plaid-shirted and woolly-hatted hipster, the fresh air gets the hormones pumping, as Robert Elkin's Touchstone gets it on with Simon Lembcke's himbo farmer, Andrey, Kirsty Macduff's nature loving Celia falls for Oliver, and other merry dances ensue before Stephanie McGregor's Rosalind comes clean to Charlie Clee's Orlando. Only Nicole Cooper's Jaques, here a dreadlocked non-conformist wise woman more cynical than melancholy, stays outside it all.

Gordon Barr's production conjures up the two worlds on Carys Hobbs' wood-lined VIP area set with loquacious ease, as everyone involved becomes giddy with love. McGregor and McDuff make a fine double act, wrapping the men-folk around their fingers with intelligence and guile. This all makes for the prettiest of pictures that illustrates the cross-gender casting without ever making a song and dance of things. When the assorted lovers do take a spin around the garden, it’s clear the flowers of romance are in full bloom.

The Herald, July 3rd 2019

ends



Comments

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Edinburgh Rocks – The Capital's Music Scene in the 1950s and Early 1960s

Edinburgh has always been a vintage city. Yet, for youngsters growing up in the shadow of World War Two as well as a pervading air of tight-lipped Calvinism, they were dreich times indeed. The founding of the Edinburgh International Festival in 1947 and the subsequent Fringe it spawned may have livened up the city for a couple of weeks in August as long as you were fans of theatre, opera and classical music, but the pubs still shut early, and on Sundays weren't open at all. But Edinburgh too has always had a flipside beyond such official channels, and, in a twitch-hipped expression of the sort of cultural duality Robert Louis Stevenson recognised in his novel, Dr Jekyll and Mr Hyde, a vibrant dance-hall scene grew up across the city. Audiences flocked to emporiums such as the Cavendish in Tollcross, the Eldorado in Leith, The Plaza in Morningside and, most glamorous of all due to its revolving stage, the Palais in Fountainbridge. Here the likes of Joe Loss and Ted Heath broug...

Big Gold Dreams – A Story of Scottish Independent Music 1977-1989

Disc 1 1. THE REZILLOS (My Baby Does) Good Sculptures (12/77)  2. THE EXILE Hooked On You (8/77) 3. DRIVE Jerkin’ (8/77) 4. VALVES Robot Love (9/77) 5. P.V.C. 2 Put You In The Picture (10/77) 6. JOHNNY & THE SELF ABUSERS Dead Vandals (11/77) 7. BEE BEE CEE You Gotta Know Girl (11/77) 8. SUBS Gimme Your Heart (2/78) 9. SKIDS Reasons (No Bad NB 1, 4/78) 10. FINGERPRINTZ Dancing With Myself (1/79)  11. THE ZIPS Take Me Down (4/79) 12. ANOTHER PRETTY FACE All The Boys Love Carrie (5/79)  13. VISITORS Electric Heat (5/79) 14. JOLT See Saw (6/79) 15. SIMPLE MINDS Chelsea Girl (6/79) 16. SHAKE Culture Shock (7/79) 17. HEADBOYS The Shape Of Things To Come (7/79) 18. FIRE EXIT Time Wall (8/79) 19. FREEZE Paranoia (9/79) 20. FAKES Sylvia Clarke (9/79) 21. TPI She’s Too Clever For Me (10/79) 22. FUN 4 Singing In The Showers (11/79) 23. FLOWERS Confessions (12/79) 24. TV21 Playing With Fire (4/80) 25. ALEX FERGUSSON Stay With Me Tonight (1980) ...