King’s
Theatre, Edinburgh
Three
stars
“Did we
win? Our side?” asks Deborah Grant’s crazed Theresa May-in-waiting Helen amidst
the chaos of a historical re-enactment that collapses into civil war towards
the end of Alan Ayckbourn’s 1977 play. Brexit may have been but a twinkle in
every little Britisher’s eye when Ayckbourn premiered his dissection of how
civic democracy can be subverted. It doesn’t take an inner lobby pundit,
however, to work out why long-standing Ayckbournista Robin Herford’s revival for
the Bill Kenwright produced Classic Comedy Theatre Company’s inaugural tour has
appeared right now.
Things
begin innocently enough in the garish old-school ballroom of the Swan Hotel,
where a committee has convened to plan a grassroots folk festival designed to
boost both morale and local community coffers. These days, the likes of artists
Jeremy Deller and Bill Drummond would be reclaiming and reinventing such
ancient rites. At the helm here, alas, is Robert Daws’ Ray, Helen’s ditheringly
diplomatic other half. His attempts to steer things are offset by Mark Curry’s
by-the-book local councillor Donald as well as the more insurrectionary intent
of Craig Gazey’s power-hungry proto Corbynista Eric, who tempts Gemma Oaten’s Sophie
into the fold.
With
battle-lines drawn across increasingly polarised extremes, the ballroom plays
host to fall-outs, factions and secret meetings that eventually give way to an
attempt at a very British coup led by ex-army man Tim. His gung-ho fantasies of
military glory look troublingly familiar, even as they are acted out against a
backdrop of drunk dignitaries gathered round the old joanna. And then there is
the silent majority, which arrives in the form of Eric’s live-in spouse
Philippa. As played by Rhiannon Handy with comically put-upon resignation, she remains
the one holding everything together, even if she never finds her voice enough
to stand up to both sides of the divide. As Ray gleefully realises at the end,
this battle may be lost, but there are plenty of wars to win yet.
The Herald, January 5th 2020
ends
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