Skip to main content

Gerry Cottle - An Obituary

Gerry Cottle – Circus impresario

Born April 7, 1945; died January 13, 2021 

 

Gerry Cottle, who has died aged 75 after contracting COVID-19, was an irrepressible showman, whose decision as a teenager to run away and join the circus became a marker for his entire life. From his beginnings as a suburban kid in a humdrum town, he went on to own the biggest travelling circus in the UK. 

 

At his 1970s peak, Cottle also provided the Big Top venue for BBC TV’s 1970s Saturday night variety show, Seaside Special, which he also hosted. As with his entire career, he did this without pretentions, retaining the enthusiasm that first inspired his life-long move into circus. 

 

Cottle was quick as well to move with the times, always one publicity stunt ahead of the rest. Prior to pioneering the UK’s first animal free circus, he won a case against Edinburgh Council regarding the use of wild animals on city land. In the end, only a duck that quacked in time with a trombone remained in his show, before Haringey Council convened a special meeting to outlaw it. 

 

There were other elements he couldn’t control, and during a run in Galashiels, his Big Top was destroyed by a gale. It would take a lot more than natural disaster, however, to keep Cottle down. 

 

Cottle’s personal life too was something of a high wire act, as he became ringmaster of his own misfortunes. Bankruptcy, cocaine, sex addiction and rehab were all on the bill, as Cottle juggled with the highs everyday life couldn’t provide. 

 

Even Cottle’s grandest failures were memorable. A Rock and Roll Circus and a shark show were but two of his schemes. More successfully, he produced the Chinese State Circus, Moscow State Circus, and co-founded Circus of Horrors. Latterly, he bought and ran the Wookey Hole tourist attraction in Somerset, where he opened a circus school and museum before embarking on a new set of adventures.

 

Gerry Ward Cottle was born in Carshalton, Surrey, to Reg and Joan Cottle. His father was a stockbroker and freemason, his mother a former air stewardess. Such an anonymous middle class background was presumed to guarantee a respectable future for their son, who attended Rutlish Grammar School in Merton Park, the alma mater of another circus boy, future Conservative Prime Minister, John Major. A family outing to see Jack Hilton’s circus at Earl’s Court in 1953 opened the then eight-year-old Cottle’s eyes to another world, however, and subsequently changed his life. 

 

Cottle began juggling in the family garden, and was hired by his father to perform at Masonic ladies nights, soon graduating to local fetes. He began helping out at the permanent circus at Chessington Zoo before running away to Robert Brothers Circus aged fifteen. He recorded a message announcing his departure for his parents, which a friend played to them down the line from a phone box.  When he was eventually brought home, Cottle received surprising support for his vocation from his headmaster, and he never looked back.

 

With the circus world a tight knit dynasty, Cottle was regarded as an outsider, and began his career cleaning up elephant dung. As he told Roy Plomley in a 1984 edition of Desert Island Discs, he always wanted to be boss, and kept a notebook of his observations of how the business was run. From Robert Brothers, he spent three years with Gandeys Circus, juggling and clowning as he learnt the managerial ropes. He then joined the James Brothers Circus, partly to keep an eye on teenage trick horse rider Betty Fossett. The pair married in 1968, and stayed together until the 1990s.

 

In 1970, Cottle set out on his own, co-founding the Embassy Circus on a pig farm. What was initially a five-person operation housed in a flower show tent soon expanded. Within a few years, The Gerry Cottle Circus had two shows on the road, employing sixty staff. 

 

By now the king of British circus, Cottle became the cover star of Radio Times on the back of a documentary, What Do You Expect, Elephants? He came a cropper, however, after losing a fortune from a doomed tour of Iran just as the 1979 revolution kicked in. 

 

Cottle’s taste for the high life saw him enter rehab, where he was told he was diagnosed as primarily a sex addict. He gave up his excesses for good after being stopped on the M25 by police, who found fourteen kilograms of cocaine in his car.

 

With old school circus not the draw it once was, Cottle attempted to reinvent his artform, co-founding Circus of Horrors in 1995. He nevertheless remained sceptical about slick modern spectacles by the likes of Cirque du Soleil. “They’d die in Basingstoke,” he said. Latterly, Cottle toured new shows with his circus school graduates. The high-octane Wow! was billed as ‘a circus like no other’.

 

A cavalcade of Cottle’s adventures were contained in his 2006 memoir, co-written with Helen Batten, Confessions of a Showman: My Life in the Circus. As the self-mythologising title suggests, Cottle can be regarded as the last of the great old time hucksters, who turned his entire life into a circus.

 

He is survived by four children, Gerry Junior, Sarah, April and Juliette-Anne, known as Polly. He is also survived by several grandchildren and great grandchildren.


The Herald, March 9th 2020

 

ends

Comments

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Edinburgh Rocks – The Capital's Music Scene in the 1950s and Early 1960s

Edinburgh has always been a vintage city. Yet, for youngsters growing up in the shadow of World War Two as well as a pervading air of tight-lipped Calvinism, they were dreich times indeed. The founding of the Edinburgh International Festival in 1947 and the subsequent Fringe it spawned may have livened up the city for a couple of weeks in August as long as you were fans of theatre, opera and classical music, but the pubs still shut early, and on Sundays weren't open at all. But Edinburgh too has always had a flipside beyond such official channels, and, in a twitch-hipped expression of the sort of cultural duality Robert Louis Stevenson recognised in his novel, Dr Jekyll and Mr Hyde, a vibrant dance-hall scene grew up across the city. Audiences flocked to emporiums such as the Cavendish in Tollcross, the Eldorado in Leith, The Plaza in Morningside and, most glamorous of all due to its revolving stage, the Palais in Fountainbridge. Here the likes of Joe Loss and Ted Heath broug...

Carla Lane – The Liver Birds, Mersey Beat and Counter Cultural Performance Poetry

Last week's sad passing of TV sit-com writer Carla Lane aged 87 marks another nail in the coffin of what many regard as a golden era of TV comedy. It was an era rooted in overly-bright living room sets where everyday plays for today were acted out in front of a live audience in a way that happens differently today. If Lane had been starting out now, chances are that the middlebrow melancholy of Butterflies, in which over four series between 1978 and 1983, Wendy Craig's suburban housewife Ria flirted with the idea of committing adultery with successful businessman Leonard, would have been filmed without a laughter track and billed as a dramady. Lane's finest half-hour highlighted a confused, quietly desperate and utterly British response to the new freedoms afforded women over the previous decade as they trickled down the class system in the most genteel of ways. This may have been drawn from Lane's own not-quite free-spirited quest for adventure as she moved through h...