Skip to main content

Public Image Ltd

O2 Edinburgh

Thursday 21st September 

Four stars

 

“’Ello!” hams John Lydon, returning to the stage after he and the rest of Public Image Ltd have ploughed through a glorious rewind as far back as 1979’s Metal Box record alongside songs from their recently released End of World album. By Lydon’s account, the gap since their last one has been “eight years of fucking misery for all of us.”

 

Sporting a long coat and ornate vintage tie, Lydon looks and sounds every inch the music hall Dadaist provocateur. With lyrics perched on a music stand, he unleashes his guttural declamations over bassist Scott Firth and drummer Bruce Smith’s pounding rhythms and guitarist Lu Edmonds’ torrent of jaggy metal shards. 

 

Having set the scene with album opener, Penge, a backhanded guide to the South East London suburb of the song’s title, the dub echo bass and drums of Albatross, from Metal Box, is a spacey and still startling sounding creation. Similarly, the kneejerk snarl of new record’s Being Stupid Again segues into Peptones’ queasy swirl, as Edmonds makes Keith Levene’s original guitar patterns his own. 

 

On Death Disco, Lydon howls like a wounded bird of prey. Part showman, part grumpy old man, throughout a thrilling Flowers of Romance, his voice is laced with undisguised venom. “Memories,” he deadpans, introducing the song of the same name, “we’ve all got ‘em. Let’s see if I can remember them.” 

 

Lydon’s patter is a treat. There are digs against “socialist council bins,” and, on Shoom, which ends the main set, a mass sing-along of “Fuck off” is aimed at Lydon’s former Sex Pistols comrades, Steve Jones and Paul Cook.

 

For the encore, Lydon’s “Ello!’”, of course gives way to PiL’s self-titled theme song. A dark Open Up follows, with a triumphal Rise provoking a mass chorus of ‘Anger is an energy’. “We will never let you down,” Lydon declares as a parting shot. He means it, man.


The List, October 2023

 

ends



 

Comments

Popular posts from this blog

Myra Mcfadyen - An Obituary

Myra McFadyen – Actress   Born January 12th 1956; died October 18th 2024   Myra McFadyen, who has died aged 68, was an actress who brought a mercurial mix of lightness and depth to her work on stage and screen. Playwright and artistic director of the Royal Lyceum Theatre, Edinburgh, David Greig, called McFadyen “an utterly transformative, shamanic actor who could change a room and command an audience with a blink”. Citizens’ Theatre artistic director Dominic Hill described McFadyen’s portrayal of Puck in his 2019 production of A Midsummer Night’s Dream at the Regent’s Park Open Air Theatre in London as “funny, mischievous and ultimately heartbreaking.”   For many, McFadyen will be most recognisable from Mamma Mia!, the smash hit musical based around ABBA songs. McFadyen spent two years on the West End in Phyllida Lloyd’s original 1999 stage production, and was in both film offshoots. Other big screen turns included Rob Roy (1995) and Our Ladies (2019), both directed by Mi...

Big Gold Dreams – A Story of Scottish Independent Music 1977-1989

Disc 1 1. THE REZILLOS (My Baby Does) Good Sculptures (12/77)  2. THE EXILE Hooked On You (8/77) 3. DRIVE Jerkin’ (8/77) 4. VALVES Robot Love (9/77) 5. P.V.C. 2 Put You In The Picture (10/77) 6. JOHNNY & THE SELF ABUSERS Dead Vandals (11/77) 7. BEE BEE CEE You Gotta Know Girl (11/77) 8. SUBS Gimme Your Heart (2/78) 9. SKIDS Reasons (No Bad NB 1, 4/78) 10. FINGERPRINTZ Dancing With Myself (1/79)  11. THE ZIPS Take Me Down (4/79) 12. ANOTHER PRETTY FACE All The Boys Love Carrie (5/79)  13. VISITORS Electric Heat (5/79) 14. JOLT See Saw (6/79) 15. SIMPLE MINDS Chelsea Girl (6/79) 16. SHAKE Culture Shock (7/79) 17. HEADBOYS The Shape Of Things To Come (7/79) 18. FIRE EXIT Time Wall (8/79) 19. FREEZE Paranoia (9/79) 20. FAKES Sylvia Clarke (9/79) 21. TPI She’s Too Clever For Me (10/79) 22. FUN 4 Singing In The Showers (11/79) 23. FLOWERS Confessions (12/79) 24. TV21 Playing With Fire (4/80) 25. ALEX FERGUSSON Stay With Me Tonight (1980) ...

Edinburgh Rocks – The Capital's Music Scene in the 1950s and Early 1960s

Edinburgh has always been a vintage city. Yet, for youngsters growing up in the shadow of World War Two as well as a pervading air of tight-lipped Calvinism, they were dreich times indeed. The founding of the Edinburgh International Festival in 1947 and the subsequent Fringe it spawned may have livened up the city for a couple of weeks in August as long as you were fans of theatre, opera and classical music, but the pubs still shut early, and on Sundays weren't open at all. But Edinburgh too has always had a flipside beyond such official channels, and, in a twitch-hipped expression of the sort of cultural duality Robert Louis Stevenson recognised in his novel, Dr Jekyll and Mr Hyde, a vibrant dance-hall scene grew up across the city. Audiences flocked to emporiums such as the Cavendish in Tollcross, the Eldorado in Leith, The Plaza in Morningside and, most glamorous of all due to its revolving stage, the Palais in Fountainbridge. Here the likes of Joe Loss and Ted Heath broug...