Skip to main content

A Giant on the Bridge

Traverse Theatre, Edinburgh

Four stars

 

The Pains of confinement come in many forms in this contemporary chamber pop song cycle – gig theatre if you prefer - devised by director Liam Hurley and singer songwriter Jo Mango. Working with a group of songwriters, they draw from material developed during Distant Voices: Coming Home, a four year research project set up by criminal justice based arts organisation Vox Liminis and three university partners. The fourteen songs co-written with a host of unnamed participants channel the real life experiences of those within the system preparing to return home. 

 

Cosiness abounds on designer Claire Halleran’s array of rugs, lamps and armchairs spread out on a stage filled with musical instruments.  Here, Mango and fellow singer-songwriters Louis Abbot of Admiral Fallow, Kim Grant, aka Raveloe, Jill O’Sullivan of Sparrow and the Workshop, Bdy_Prts and more, Dave Hook, aka Solareye, plus bassist Joseph Rattray, bring empathy and warmth to a moving collective experience.

 

Each performer tells a story through song, with Abbott’s songwriter and workshop leader laying bare the creative process, while mediator Clem, played by Mango, ghost writes prisoners letters home inbetween dealing with her own trauma. At the show’s centre is D, brought to life by Solareye as he prepares to be released after serving his sentence. Waiting for him is his twin sister June, who, given voice by O’Sullivan, looks after D’s daughter, at times herself feeling trapped by circumstance. All this is  framed by a fairy story told by Grant, about an incarcerated female giant with no heart.

 

With songwriting credits for others including Rachel Sermanni and C Duncan, as well as project researcher Phil Crockett Thomas, this makes for a slow burning and heartfelt construction. The  most crucial input, however, comes from the Distant Voices Community.

 

The plan is for musical theatre auteurs KT Producing to develop A Giant on the Bridge further prior to an Edinburgh Festival Fringe run. As it stands, the understated beauty of the show already feels like coming home. A sense of freedom awaits.


The Herald, March 11 2024

 

ends

 

Labels:

Comments

Post a Comment

Popular posts from this blog

Myra Mcfadyen - An Obituary

Myra McFadyen – Actress   Born January 12th 1956; died October 18th 2024   Myra McFadyen, who has died aged 68, was an actress who brought a mercurial mix of lightness and depth to her work on stage and screen. Playwright and artistic director of the Royal Lyceum Theatre, Edinburgh, David Greig, called McFadyen “an utterly transformative, shamanic actor who could change a room and command an audience with a blink”. Citizens’ Theatre artistic director Dominic Hill described McFadyen’s portrayal of Puck in his 2019 production of A Midsummer Night’s Dream at the Regent’s Park Open Air Theatre in London as “funny, mischievous and ultimately heartbreaking.”   For many, McFadyen will be most recognisable from Mamma Mia!, the smash hit musical based around ABBA songs. McFadyen spent two years on the West End in Phyllida Lloyd’s original 1999 stage production, and was in both film offshoots. Other big screen turns included Rob Roy (1995) and Our Ladies (2019), both directed by Mi...
1 comment
Read more

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...
Post a Comment
Read more

Billy Elliot The Musical

Edinburgh Playhouse Five stars A big National Coal Board sign looms large at the opening of Lee Hall and Elton John's decade-old musical stage version of Hall and director Stephen Daldry's hit turn of the century film. In a tale of one little boy's liberation as a dancer against the backdrop of the 1980s miners strike, however, the Durham Miners banner and the 'Save Our Community' sash held aloft matter more. It is this call to arms that forms the heart of Daldry's production, as Billy becomes a potty-mouthed beacon of hope in a situation where picket line, thin blue line and chorus line rub uneasily up against each other. Given such a context, there is bound to be some pretty grown-up stuff going on here, be it the institutionalised homophobia in Billy's village, the class war going on within it, or Billy's grieving for his dead mother that drives his every move. And, as so magnificently choreographed by Peter Darling, what moves they are. Watch...
Post a Comment
Read more