Skip to main content

A History of Paper

Traverse Theatre

Four stars


When a postcard plops through the letter box of a broken hearted young man playing Radiohead records far too loud, it sets in motion a series of events that will change things forever. The postcard is from the woman at Number 6, asking her neighbour in Number 4 to turn the racket down. When the pair meet beyond this minor act of passive aggression, they hit it off, romance ensues, and what looks like a life long love affair is set in delirious motion.  

Love and tragedy come quickly in what has turned out to be Oliver Emanuel’s final work prior to his untimely passing aged 43 in 2023. Expanded from its original incarnation as a radio play first broadcast in 2016, this lo-fi musical was already some way into the making prior to Emanuel’s death. New songs by composer and regular collaborator Gareth Williams were already in place, with another collaborator, director Lu Kemp, coming on board as dramaturg. 

While these circumstances can’t help but give Andrew Panton’s co-production between Dundee Rep and the Traverse for this year’s Made in Scotland programme an extra poignancy, it never clouds the mix of joy and heartbreak that emanates from the play itself throughout its exquisitely realised seventy minutes. 


Emma Mullen and Christopher Jordan-Marshall are a delight as they peel back the couple’s back pages, gathering up all the fragile detritus of a life in all its unexpected lurches into the unknown and everything is torn to pieces. 

Mullen and Jordan-Marshall are accompanied on piano by musicalDirector Gavin Whitworth, whose playing gives the show an extra drive. As a whole, the inherent wisdom wrapped inside Emanuel and Williams’ play suggests that, beyond our losses, some kind of healing is possible in a funny, sad and life affirming romance. 

The Herald, August 5th 2024

Ends

 

Comments

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Edinburgh Rocks – The Capital's Music Scene in the 1950s and Early 1960s

Edinburgh has always been a vintage city. Yet, for youngsters growing up in the shadow of World War Two as well as a pervading air of tight-lipped Calvinism, they were dreich times indeed. The founding of the Edinburgh International Festival in 1947 and the subsequent Fringe it spawned may have livened up the city for a couple of weeks in August as long as you were fans of theatre, opera and classical music, but the pubs still shut early, and on Sundays weren't open at all. But Edinburgh too has always had a flipside beyond such official channels, and, in a twitch-hipped expression of the sort of cultural duality Robert Louis Stevenson recognised in his novel, Dr Jekyll and Mr Hyde, a vibrant dance-hall scene grew up across the city. Audiences flocked to emporiums such as the Cavendish in Tollcross, the Eldorado in Leith, The Plaza in Morningside and, most glamorous of all due to its revolving stage, the Palais in Fountainbridge. Here the likes of Joe Loss and Ted Heath broug...

Carla Lane – The Liver Birds, Mersey Beat and Counter Cultural Performance Poetry

Last week's sad passing of TV sit-com writer Carla Lane aged 87 marks another nail in the coffin of what many regard as a golden era of TV comedy. It was an era rooted in overly-bright living room sets where everyday plays for today were acted out in front of a live audience in a way that happens differently today. If Lane had been starting out now, chances are that the middlebrow melancholy of Butterflies, in which over four series between 1978 and 1983, Wendy Craig's suburban housewife Ria flirted with the idea of committing adultery with successful businessman Leonard, would have been filmed without a laughter track and billed as a dramady. Lane's finest half-hour highlighted a confused, quietly desperate and utterly British response to the new freedoms afforded women over the previous decade as they trickled down the class system in the most genteel of ways. This may have been drawn from Lane's own not-quite free-spirited quest for adventure as she moved through h...