Skip to main content

The Funny Comics Fan Club

The golden ages of British comics are brought to life in this glorious rustle through their back pages by the matey double act of Mark Hibbett and John Dredge, who each week review a specific issue of a classic 1970s title. This moves from old school D.C. Thomson stalwarts such as Dandy, Beano and Topper, to the more anarchic IPC new wave embodied by Whoopee! and Krazy. The riot of wild artwork and puntastic characters including Frankie Stein and Leo Baxendale’s magnificent Sweeney Toddler that followed was akin to moving from music hall to punk, with lashings of junior school surrealism thrown in.

 

The twelve editions so far take us from Jackpot to Cheeky Weekly, as we discover the class-based roots of many strips, with one in which a posh private school and a scruffy comprehensive are merged even being called Class Wars. Umberto Eco gets a mention, as does Trevor Metcalfe’s superhero homage The Amazing Three’s second life by way of Grant Morrison’s Zenith in 2000AD. The first David Bellamy impression heard in the wild for many a year is here, as are Proustian reminiscences of Emu puppets, all punctuated by Kenny Everett style jingles and a chirpy bubblegum theme tune.

 

Hibbett and Dredge’s fanboy enthusiasm suggests they still play conkers while waiting for the newsagent to open. The comics themselves can be seen on the show’s social media pages. These scans may not have what the duo call the ‘whiff of Thatcher and punk venues’ of the paper versions, but it all makes for a bumper size summer special of a show.

 

Episodes of The Funny Comics Fan Club are available every second Sunday at Podbean. 


The List, February 2025

 

ends

 

 

 

 

 

 

Comments

Popular posts from this blog

Myra Mcfadyen - An Obituary

Myra McFadyen – Actress   Born January 12th 1956; died October 18th 2024   Myra McFadyen, who has died aged 68, was an actress who brought a mercurial mix of lightness and depth to her work on stage and screen. Playwright and artistic director of the Royal Lyceum Theatre, Edinburgh, David Greig, called McFadyen “an utterly transformative, shamanic actor who could change a room and command an audience with a blink”. Citizens’ Theatre artistic director Dominic Hill described McFadyen’s portrayal of Puck in his 2019 production of A Midsummer Night’s Dream at the Regent’s Park Open Air Theatre in London as “funny, mischievous and ultimately heartbreaking.”   For many, McFadyen will be most recognisable from Mamma Mia!, the smash hit musical based around ABBA songs. McFadyen spent two years on the West End in Phyllida Lloyd’s original 1999 stage production, and was in both film offshoots. Other big screen turns included Rob Roy (1995) and Our Ladies (2019), both directed by Mi...

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Billy Elliot The Musical

Edinburgh Playhouse Five stars A big National Coal Board sign looms large at the opening of Lee Hall and Elton John's decade-old musical stage version of Hall and director Stephen Daldry's hit turn of the century film. In a tale of one little boy's liberation as a dancer against the backdrop of the 1980s miners strike, however, the Durham Miners banner and the 'Save Our Community' sash held aloft matter more. It is this call to arms that forms the heart of Daldry's production, as Billy becomes a potty-mouthed beacon of hope in a situation where picket line, thin blue line and chorus line rub uneasily up against each other. Given such a context, there is bound to be some pretty grown-up stuff going on here, be it the institutionalised homophobia in Billy's village, the class war going on within it, or Billy's grieving for his dead mother that drives his every move. And, as so magnificently choreographed by Peter Darling, what moves they are. Watch...