Skip to main content

Hauns Aff Ma Haunted Bin!

Oran Mor, Glasgow

Four stars 

 

Halloween is about to bite, the party frocks are on, and a creepy time is about to be had by all round at Auntie Sandra’s place. Such is the state of play in Éimi Quinn’s new comedy for A Play, a Pie and a Pint’s ongoing season of lunchtime theatre. Sandra and her niece Lisa are dressed to kill, and judging by the fact that Sandra has just battered Lisa’s cheating husband into the kitchen Lino, death very much becomes them. 

 

But what to do with the body? The only solution, it seems, is to do a Sweeney Todd and cut their prey into enough tiny pieces to fill up several bin bags. If only the duo’s stream of gentleman callers weren’t constantly interrupting them from the task at hand, be it busy body neighbour Dennis, whose sole saving grace is his intimate knowledge of bin collecting times; or crap clairvoyant Mark, who seems intent on attempting the exorcise the place. With an unseen builder also trying to get through Auntie Sandra’s now blood soaked front door, how the hell are the murderous pair expected to keep a lid on things? 

 

By taking a serious subject such as domestic violence and turning it into a madcap revenge comedy as she has done here, Quinn pulls off a similar trick to what she did earlier this year with assisted dying in her last A Play, a Pie and a Pint show, Dookin’ Oot. Both go for the jugular in terms of laughs that don’t so much tap a vein of gallows humour as stab it into submission.

 

Jennifer Dick’s production navigates a trio of increasingly madcap turns from Isabelle Joss as Auntie Sandra, Gavin Jon Wright as assorted men-folk, and Quinn herself as Lisa. A word as well for the scene stealing supporting artist on stage throughout, billed here as Oprah Binfrey. A waste disposable receptacle probably hasn’t cleaned up this much since Dusty Bin was last wheeled out on to TV quiz show 3-2-1 for no discernible reason back in the seventies. Here, however, the result is a darkly funny  tale of the unexpected and an everyday horror show that will have you in bits. 


The Herald, October 29th 2025

 

ends

 

 

Comments

Popular posts from this blog

Myra Mcfadyen - An Obituary

Myra McFadyen – Actress   Born January 12th 1956; died October 18th 2024   Myra McFadyen, who has died aged 68, was an actress who brought a mercurial mix of lightness and depth to her work on stage and screen. Playwright and artistic director of the Royal Lyceum Theatre, Edinburgh, David Greig, called McFadyen “an utterly transformative, shamanic actor who could change a room and command an audience with a blink”. Citizens’ Theatre artistic director Dominic Hill described McFadyen’s portrayal of Puck in his 2019 production of A Midsummer Night’s Dream at the Regent’s Park Open Air Theatre in London as “funny, mischievous and ultimately heartbreaking.”   For many, McFadyen will be most recognisable from Mamma Mia!, the smash hit musical based around ABBA songs. McFadyen spent two years on the West End in Phyllida Lloyd’s original 1999 stage production, and was in both film offshoots. Other big screen turns included Rob Roy (1995) and Our Ladies (2019), both directed by Mi...

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

The Passage – Hip Rebel Degenerates: Black, White and Red All Over

Prelude – The Power of Three   Fear. Power. Love. This life-and-death (un)holy trinity was the driving force and raisons d’être of The Passage, the still largely unsung Manchester band sired in what we now call the post-punk era, and who between 1978 and 1983 released four albums and a handful of singles.    Led primarily by composer Dick Witts, The Passage bridged the divide between contemporary classical composition and electronic pop as much as between the personal and the political. In the oppositional hotbed of Margaret Thatcher’s first landslide, The Passage fused agit-prop and angst, and released a song called Troops Out as a single. The song offered unequivocal support for withdrawing British troops from Northern Ireland.    They wrote Anderton’s Hall, about Greater Manchester’s born again right wing police chief, James Anderton, and, on Dark Times, rubbed Brechtian polemic up against dancefloor hedonism. On XOYO, their most commercial and potentially mo...