Skip to main content

Twelfth Night

Botanic Garden, Glasgow

Four stars

 

The seven seas are rocking at the start of Bard in the Botanics’ main stage flagship production to mark the stalwarts of outdoor Shakespeare’s silver jubilee year. Once the storm subsides, twins Viola and Sebastian are all washed up on a strange island, with Viola landing in what by way of Heather Grace Currie’s design appears to be the beer garden of the sort of docklands boozer where men are very much men. In the whirligig of dressing up box cosplay that follows, for a while at least, so are some of the women. 

 

While her new pal Feste mainlines feelgood karaoke hits, Viola dons cap and trews like a sailor ashore, attracting the unwarranted attention of all comers. This includes handsome himbo Orsino, who treats his new sidekick like one of the boys, despite the pretty obvious truth staring him in the face. 

 

The boozer’s regulars led by Sir Toby Belch and Sir Andrew Aguecheek, meanwhile, belie their aristocratic origins to run riot like Olly Reed and Peter O’Toole on an epic bender. With Feste in tow, they prank poor old Malvolio with promises that he’ll soon be getting his rocks - and his socks - off with his mistress Olivia. With Sebastian already in her sights, alas, Olivia has other ideas. 

 

As summer madness gives way to the eternal game of kiss chase that ensues in Shakespeare’s all at sea rom-com, even the pub gets a flower strewn makeover in Jennifer Dick’s production. Having directed a 1960s tinged version of the play back in 2016, and appeared as Orsino in 2021, the play is clearly a favourite for Dick.

 

Her new look at it sees Lawrence Boothman double up as Feste and Sebastian, with the latter navigating a similar path to Rebecca Robin’s Viola en route to love and romance Illyrian style. For Viola, this comes in the form of Johnny Panchaud as a somewhat confused Orsino. 

 

Lauren Ellis-Steele’s Olivia ends up equally gobsmacked by the incomers’ appeal, while James Boal as Belch, Star Penders as Aguecheek and Tiare Hamilton as Olivia’s maid Maria provide the below stairs fun at the expense of Stephen Arden’s hapless Malvolio. In the end, with Viola and Sebastian reunited and secret identities revealed, their ship finally comes in to leave all involved blown away in a right old carry on for summer nights. 


The Herald, July 10th 2026

 

Ends 

 

Comments

Popular posts from this blog

Myra Mcfadyen - An Obituary

Myra McFadyen – Actress   Born January 12th 1956; died October 18th 2024   Myra McFadyen, who has died aged 68, was an actress who brought a mercurial mix of lightness and depth to her work on stage and screen. Playwright and artistic director of the Royal Lyceum Theatre, Edinburgh, David Greig, called McFadyen “an utterly transformative, shamanic actor who could change a room and command an audience with a blink”. Citizens’ Theatre artistic director Dominic Hill described McFadyen’s portrayal of Puck in his 2019 production of A Midsummer Night’s Dream at the Regent’s Park Open Air Theatre in London as “funny, mischievous and ultimately heartbreaking.”   For many, McFadyen will be most recognisable from Mamma Mia!, the smash hit musical based around ABBA songs. McFadyen spent two years on the West End in Phyllida Lloyd’s original 1999 stage production, and was in both film offshoots. Other big screen turns included Rob Roy (1995) and Our Ladies (2019), both directed by Mi...

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

The Passage – Hip Rebel Degenerates: Black, White and Red All Over

Prelude – The Power of Three   Fear. Power. Love. This life-and-death (un)holy trinity was the driving force and raisons d’être of The Passage, the still largely unsung Manchester band sired in what we now call the post-punk era, and who between 1978 and 1983 released four albums and a handful of singles.    Led primarily by composer Dick Witts, The Passage bridged the divide between contemporary classical composition and electronic pop as much as between the personal and the political. In the oppositional hotbed of Margaret Thatcher’s first landslide, The Passage fused agit-prop and angst, and released a song called Troops Out as a single. The song offered unequivocal support for withdrawing British troops from Northern Ireland.    They wrote Anderton’s Hall, about Greater Manchester’s born again right wing police chief, James Anderton, and, on Dark Times, rubbed Brechtian polemic up against dancefloor hedonism. On XOYO, their most commercial and potentially mo...