“What's gallus?” Catherine Johnson asks, unprompted. The writer behind ABBA-based hit musical Mamma Mia! is contemplating how one of her characters for her earlier play, Shang-A-Lang, has just been described to her by the team behind Rapture Theatre's touring revival, and isn't quite sure how it translates into her own west country patois. When it's explained to Johnson that somebody who is gallus is someone with attitude, swagger and cheek in abundance, it seems to hit the spot. “That's Lauren,” Johnson says of one of three middle-aged women in the play who go on a bender at a 1970s revival weekend at Butlin's holiday camp, where a Bay City Rollers tribute act are headlining. Over the course of the weekend, Lauren and her pals, Jackie and Pauline, have assorted epiphanies as they encounter a couple of equally ageing rockers. “I'd been thinking about writing a play set in a holiday camp for some time,” Johnson explains about the roots of Sh
An archive of arts writing by Neil Cooper. Effete No Obstacle.