King's Theatre,
Edinburgh
Three stars
At first glance, the
well-choreographed burst of jumping, jiving life from the young cast
of this new stage version of E.R. Braithwaite's autobiographical
novel about his experiences as a black teacher in a run-down east end
London school looks like a piece of all-singing, all-dancing youth
theatre. For all their brash bravura, there's something initially
one-dimensional about the larger than life cockney urchins that
doesn't always ring true in Mark Babych's production of Ayub Khan
Din's new adaptation of Braithwaite's book for this Touring
Consortium and Royal and Derngate Northampton co-production. If this
rubs off on the grown-ups in the play, the over-riding lightness
gradually matures into something with depth as well as warmth.
Ansu Kabia plays Ricky,
an ambitious and educated Guyanese ex-pat who takes up teaching as a
last resort in a post Second World War London riddled with prejudice.
The school he ends up in is rough, but, with Matthew Kelly's
idealistic headmaster Florian in charge, it is also progressive.
Ricky's teenage charges take full advantage of this, as they throw
his high-brow armoury of Chopin, Keats and Kipling back in his face.
As Ricky squares up to institutional racism in the staff-room as much
as the class-room, both he and his students learn lessons they'll
never forget.
Babych's production is
full of heart, with each scene punctuated by break-time dance
routines performed by the cast, Yet, for all it's broad
brush-strokes, it says something meaningful about the right of
education for all which Westminster Education Secretary Michael Gove
could learn much from. When Florian declares the system to be broken
and calls for revolution, it could be today he's talking about.
The Herald, October 31st
ends
Comments