September
28th-November 9th
Thinking local and
acting globally is increasingly becoming the CCA's raison d'etre. No
more is this evident than in these twin solo shows by two very
different artists working in film. Glasgow-based Forrest looks to
Jean Paul Sartre's novel, 'Nausea' to question notions of narrative
between film and text she first explored after being awarded the
Margaret Tait Residency in 2012, which resulted in Forrest's film
homage to Tait, that now. Al Solh, meanwhile,
follows on from Dinosaurs, an investigation of independent American
film-maker John Cassavetes, with an exploration of the recent Syrian
immigration to Beirut following the civil war in a work that couldn't
be more current.
With both artists
questioning the very notion of how such big ideas can be represented
on film, and with a sense of place at the heart of their work, a
programme of older film-works by both artists will also be screened
alongside the two new commissions. This will feature two films by
Forrest, including (+italics)that now(-italics), and five by al Solh
in a programme lasting just shy of three hours. While coming from
different places and experiences, the common ground between both
artists should become vividly apparent.
The List, October 2013
ends
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