Skip to main content

White Christmas

Edinburgh Playhouse
4 stars
It may only be the fag-end of November, but the season of enforced frivolity, it seems, is already upon us. In the unlikely event of anything falling from the heavens that’s any whiter than drizzle, as an alternative to getting all Christmas card cosy by the fireside, you could do far worse than snuggling up to this vivid onstage remake of Michael Curtiz’s 1954 big-screen heart-warmer, which took its title from Irving Berlin’s song originally made legend twelve years earlier in Holiday Inn.

Because, all wrapped up in a snowflake dappled exterior as it is, the Technicolour heart of this unavoidably gooey showbiz romance is a cross-generational gift. Here’s a show that harks back to a time when the hits were born onstage rather than shoe-horned in with some ill-fitting yarn knocked out on the cheap. So while Berlin’s masterly score is the star here, as we follow the double act of Bob and Phil from army revues to Ed Sullivan headliners and the back-woods B&B being run into the ground by their old General, even the true love the guts find with all-gal duo Betty and Judy is inherently wholesome.

Craig McLachlan may be no Bing Crosby as Bob, but he and Tim Flavin as Phil are song and dance men to be reckoned with alongside Rachel Stanley and Kate Nelson as their sweethearts. As the blousy Martha, Lorna Luft adds some real-life Hollywood pzazz, and there’s many a grey-haired heart that still flutters over Ken Kercheval when they recall his turn as Cliff Barnes in Dallas. Leaving aside the army’s treatment of its veterans, this is a large-scale delight from start to finish. Just don’t be too disappointed by the rain outside afterwards.

The Herald, November 22nd 2007

ends

Comments

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Myra Mcfadyen - An Obituary

Myra McFadyen – Actress   Born January 12th 1956; died October 18th 2024   Myra McFadyen, who has died aged 68, was an actress who brought a mercurial mix of lightness and depth to her work on stage and screen. Playwright and artistic director of the Royal Lyceum Theatre, Edinburgh, David Greig, called McFadyen “an utterly transformative, shamanic actor who could change a room and command an audience with a blink”. Citizens’ Theatre artistic director Dominic Hill described McFadyen’s portrayal of Puck in his 2019 production of A Midsummer Night’s Dream at the Regent’s Park Open Air Theatre in London as “funny, mischievous and ultimately heartbreaking.”   For many, McFadyen will be most recognisable from Mamma Mia!, the smash hit musical based around ABBA songs. McFadyen spent two years on the West End in Phyllida Lloyd’s original 1999 stage production, and was in both film offshoots. Other big screen turns included Rob Roy (1995) and Our Ladies (2019), both directed by Mi...

The Passage – Hip Rebel Degenerates: Black, White and Red All Over

Prelude – The Power of Three   Fear. Power. Love. This life-and-death (un)holy trinity was the driving force and raisons d’être of The Passage, the still largely unsung Manchester band sired in what we now call the post-punk era, and who between 1978 and 1983 released four albums and a handful of singles.    Led primarily by composer Dick Witts, The Passage bridged the divide between contemporary classical composition and electronic pop as much as between the personal and the political. In the oppositional hotbed of Margaret Thatcher’s first landslide, The Passage fused agit-prop and angst, and released a song called Troops Out as a single. The song offered unequivocal support for withdrawing British troops from Northern Ireland.    They wrote Anderton’s Hall, about Greater Manchester’s born again right wing police chief, James Anderton, and, on Dark Times, rubbed Brechtian polemic up against dancefloor hedonism. On XOYO, their most commercial and potentially mo...