Skip to main content

Gordon Grahame - The Lost Soul Band

Things have never run smoothly for The Lost Soul Band. By rights, in the early 1990s when the Edinburgh based five piece were at their peak, they should have become one of Scotland’s national treasures. As it went, however, an uncaring record label dropped them after releasing two albums, the loose-knit Friday The 13th and Everything’s Rosie and the more polished The Land Of Do As You Please. This left the band’s classic Bob Dylan and Van Morrison inspired song-writing high and dry in an era dominated by American grunge bands that would later give way to Brit Pop. The Lost Soul Band sound - heartfelt and euphoric as it was on songs like Looking Through The Butcher’s Window, Coffee and Hope and their masterpiece, You Can’t Win them All Mum – simply didn’t fit in with the prevailing orthodoxies. A final, self-released album, Hung Like Jesus, was a more strung-out affair than its predecessors, and the band imploded shortly after.

Thirteen years on, singer/songwriter and guitarist Gordon Grahame, keyboardist and writing foil Mike Hall, bass player Richard Buchanan, drummer Brian Hall and percussionist Gavin Smith have reunited to go through their back catalogue for just two very special festive shows. Already, however, the curse of The Lost Soul Band has struck again, when following last week’s fire in Edinburgh’s Victoria Street, The Liquid Rooms, where the band were scheduled to play, was damaged to the extent of rendering the venue unusable. Fortunately, all scheduled Liquid Rooms shows have been transferred to the recently opened Picture House, allowing The Lost Soul Band to make their comeback in style.

At time of writing, however, they haven’t been in the same room as each other for thirteen years. Presuming everything comes together, the new shows promise to be emotional occasions, both for old time Lost Soul Band fans who’ve come out of the woodwork, and for the band themselves.

“I’m really feeling quite nervous,” gushes Grahame down the line from London, where he now lives. “Not in a bad way, but I’ve been running through the tracks, sitting in the lounge with my guitar on visualising the first song of the night. I just went to jelly, and had palpitations and stuff. Because we’re going to be playing these songs again to people who’ve been sitting on the recorded versions for eighteen years and know exactly what they want. I haven’t even had the albums for ten years. I had to get them on ebay. But I downloaded them and they sounded pretty rough and ready, and I’m thinking, how am I gonna do this. Richard says to me, ‘Yeah, you’re a bit of a crooner now.’”

The current gigs came about after Smith heard a Sugarcubes song on the radio, and started rooting through boxes of old tapes to see if he had a copy. What he found instead was a recording of a 1992 Lost Soul Band show broadcast on Radio Forth. Smith played it on car rides to gigs with his current band The Vagabonds, who also feature singer/guitarist, The Sandyman. The Sandyman is a legend on the pub band circuit, and is a pivotal figure in The Lost Soul Band, even joining them in their final incarnation. Smith suggested it might be an idea to get the original band back together, and The Sandyman contacted Grahame.

“There were one or two occasions when it might have happened before,” according to Grahame, “but it never got off base. This time, though, Gavin got on a mission. I said I was up for it, but wasn’t sure if everyone would want to do it. Then once Mike said yes, and is probably the most gung ho about it out of all of us, I thought, oh, no, I’ve got to do it now. Even then we weren’t sure if there’d be any interest, but DF Concerts jumped at it, and we just have to re-learn the songs now.”

Grahame grew up in Penicuik, where, inspired by the Velvet Underground and Van Morrison’s Astral Weeks album, he fell in love with music at an early age. Moving to Edinburgh, he began playing solo pub gigs under the name Sal Paradise, named after the hero of Jack Kerouac’s novel, On The Road. The band came together organically, and in 1990 began a Sunday night residency at the old St James Oyster Bar (now Pivo) beside Calton Hill. Initially playing to small numbers, word spread quickly, and by the summer as many as two hundred people were crammed into the bar to bear witness to what was rapidly becoming the hardest working band in town. After a couple of independently released singles, The Lost Soul Band signed to Silvertone Records, then best known for signing The Stone Roses, and started playing sell-out gigs at Edinburgh venue, London’s Borderline and other mid-scale venues. Grahame and co should have been massive, but the person who signed them left the company, and suddenly the band were stranded.

“We all have our own take on what happened,” Grahame says today. “In hindsight, if we’d been around three years later, things might have changed, but at the time we didn’t fit in with any particular scene. Once you’ve invested so much time in something you’re passionate about, we had a really depressing time. But having said that, if we had crossed over, I’d have probably been dead by now. I was a madman back then.”

The story doesn’t end there, however. All five Lost Soul Band members have taken widely diverging paths since the band’s original demise. Smith played with The Joyriders, and continues playing with The Sandyman in The Vagabonds. Brian Hall moved to Germany, where he plays with a band called Sophie So. Until recently, Buchanan hadn’t picked up a bass since the day the band split up. Mike Hall moved into more dance-based fare with Scuba Z and as The Leisure Assistants, and has had tracks featured on the soundtrack of the feature film, Red Road.

Grahame’s journey over the years, meanwhile, has been peripatetic to say the least.
Decamping to Amsterdam, Paris and Andalucia, he ended up busking and playing New York’s open mike circuit. Eventually Grahame moved to Brighton, then London, where he writes and records under the name Lucky Jim. With four albums released, one of Grahame’s songs, You’re Lovely To Me, can be heard on a television ad for Kingsmill bread.

“Suddenly people like David Holmes are on the phone telling me how much they love the album,” says Grahame. “Stuff like that had never happened before. I’d been in the wilderness. But I’ve got myself into a position now where things are finally happening for me, which is why it’s okay now to go back to Lost Soul Band stuff. Who knows? We might even do it again in another few years or something. It will have been twenty five years then, and if anyone’s still interested in dredging up my past, that’s fine by me.”

The Lost soul band play The Picture House, Edinburgh, Sunday December 28, and King Tut’s Wah Wah Hut, Glasgow, Tuesday December 30.

The Herald, December 24th 2008

ends

Comments

Great Band I still love listening to their stuff
Erkymalarky said…
Browsing through albums on my PC and came across a forgotten gem in The Land Of Do As You Please. Still sounds as good today as it did back in the 90s. Was it really that long ago? A different lifetime, but the music is timeless.
Time for another reunion as I never got to see them back in the day. Not sure how I even heard of them as I was not a big radio listener so maybe in Fopp or another record store.

Neil Cooper said…
Fantastic, Erkymalarky. The Land of... is a great record. And yes, another reunion would be magnificent.

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Edinburgh Rocks – The Capital's Music Scene in the 1950s and Early 1960s

Edinburgh has always been a vintage city. Yet, for youngsters growing up in the shadow of World War Two as well as a pervading air of tight-lipped Calvinism, they were dreich times indeed. The founding of the Edinburgh International Festival in 1947 and the subsequent Fringe it spawned may have livened up the city for a couple of weeks in August as long as you were fans of theatre, opera and classical music, but the pubs still shut early, and on Sundays weren't open at all. But Edinburgh too has always had a flipside beyond such official channels, and, in a twitch-hipped expression of the sort of cultural duality Robert Louis Stevenson recognised in his novel, Dr Jekyll and Mr Hyde, a vibrant dance-hall scene grew up across the city. Audiences flocked to emporiums such as the Cavendish in Tollcross, the Eldorado in Leith, The Plaza in Morningside and, most glamorous of all due to its revolving stage, the Palais in Fountainbridge. Here the likes of Joe Loss and Ted Heath broug...

Carla Lane – The Liver Birds, Mersey Beat and Counter Cultural Performance Poetry

Last week's sad passing of TV sit-com writer Carla Lane aged 87 marks another nail in the coffin of what many regard as a golden era of TV comedy. It was an era rooted in overly-bright living room sets where everyday plays for today were acted out in front of a live audience in a way that happens differently today. If Lane had been starting out now, chances are that the middlebrow melancholy of Butterflies, in which over four series between 1978 and 1983, Wendy Craig's suburban housewife Ria flirted with the idea of committing adultery with successful businessman Leonard, would have been filmed without a laughter track and billed as a dramady. Lane's finest half-hour highlighted a confused, quietly desperate and utterly British response to the new freedoms afforded women over the previous decade as they trickled down the class system in the most genteel of ways. This may have been drawn from Lane's own not-quite free-spirited quest for adventure as she moved through h...