Skip to main content

It’s My Party

Theatre Workshop, Edinburgh
2 stars
Politics and theatre, when mixed right, can play a vital part in national debate. Plays about politicians on the other hand, are often tedious and sexless affairs. Such is the material writers must work with, and, in the current climate, any attempts to satirise the joke-free shenanigans of Holyrood and Westminster are doomed to failure. This is the only sliver of sympathy one has for Green Party MSP Chris Ballance, whose monologue concerning a plucky new female member’s rise and fall is spectacular solely for its obviousness.

This is a shame, because, while no Vaclav Havel, Ballance is more qualified than any of his colleagues to engage with cultural matters. Long before he moved into parliament, Ballance was an award-winning writer of considerable quirkiness. Here, alas, while some of those linguistic tics remain, they’re served up in a loosely-knitted mish-mash of insider wise-cracks that are as empty as a front-bencher’s rhetoric and even less funny.

The depiction of newly elected Iona Mackinnon does the cause no favours. As she attempts to spin her way to the top, integrity is compromised, personal and professional interests conflict and her downward spiral is inevitable. Relating her memoir for posterity over a grim 50 minutes, Iona reels off a litany of thinly-disguised real-life high hid yins who’d no doubt adore the name-check.

Played by Alis Rowena Taylor, Iona is a shrill creature unlikely to convince a selection committee, let alone an audience. Nazli Tabatai-Khatambaksh’s amateur-hour production is broken up by a series of unnecessary blackouts that have nothing to say about the play or subject. This not only puts you off politics, but, most shamefully, theatre too.

The Herald, March 23rd 2007

ends

Comments

Popular posts from this blog

Big Gold Dreams – A Story of Scottish Independent Music 1977-1989

Disc 1 1. THE REZILLOS (My Baby Does) Good Sculptures (12/77)  2. THE EXILE Hooked On You (8/77) 3. DRIVE Jerkin’ (8/77) 4. VALVES Robot Love (9/77) 5. P.V.C. 2 Put You In The Picture (10/77) 6. JOHNNY & THE SELF ABUSERS Dead Vandals (11/77) 7. BEE BEE CEE You Gotta Know Girl (11/77) 8. SUBS Gimme Your Heart (2/78) 9. SKIDS Reasons (No Bad NB 1, 4/78) 10. FINGERPRINTZ Dancing With Myself (1/79)  11. THE ZIPS Take Me Down (4/79) 12. ANOTHER PRETTY FACE All The Boys Love Carrie (5/79)  13. VISITORS Electric Heat (5/79) 14. JOLT See Saw (6/79) 15. SIMPLE MINDS Chelsea Girl (6/79) 16. SHAKE Culture Shock (7/79) 17. HEADBOYS The Shape Of Things To Come (7/79) 18. FIRE EXIT Time Wall (8/79) 19. FREEZE Paranoia (9/79) 20. FAKES Sylvia Clarke (9/79) 21. TPI She’s Too Clever For Me (10/79) 22. FUN 4 Singing In The Showers (11/79) 23. FLOWERS Confessions (12/79) 24. TV21 Playing With Fire (4/80) 25. ALEX FERGUSSON Stay With Me Tonight (1980) 1. THE REZILL

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) 1. THE STONE ROSES    Don’t Stop ( Silvertone   ORE   1989) The trip didn’t quite start here for what sounds like Waterfall played backwards on The Stone Roses’ era-defining eponymous debut album, but it sounds

David Bates – La Clique Noel, The Famous Spiegeltent and Edinburgh's Christmas

Less than a year ago, David Bates thought he might well be done with Edinburgh. The owner and producer of the Famous Spiegeltent, who had transformed a ninety-seven year old construction into a global brand which in part had come to define the spirit of the Edinburgh Festival Fringe, had been told that the site the Famous Spiegeltent had operated out of in St Andrew Square since 2014 was no longer available. Essential Edinburgh, who manage the site, said they wanted the Gardens to return to a “relaxation space,” although the short notice of their decision left the Famous Spiegeltent without a home for the Edinburgh Festival Fringe.   All this created a bit of a kerfuffle, exacerbated somewhat by Edinburgh International Festival using St Andrew Square for this year's Standard Life sponsored opening event, the light-based spectacular, Bloom. Ten months on, Bates is back in Edinburgh even if the Famous Spiegeltent as a physical entity isn't. A different spiegeltent is here, howeve