Skip to main content

Scars - The List

When twinkly electronic pranksters Lemon Jelly played Edinburgh's Usher
Hall a couple of years ago to promote their just released '64-95'
album, some younger members of the audience might have been puzzled
towards the end of the set by the appearance of a trio of guitar, bass
and drum wielding gentlemen of a certain age who played the more
abrasive parts of album standout, '79 aka The Shouty Track.' Said parts
were in fact sampled from 'Horrorshow', the debut single by Edinburgh's
missing in action post-punk fabulists, Scars, and the gentlemen on
stage replicating it live were three quarters of the original band.

Released on Bob Last's Fast Product label, original home of the Human
League, the Mekons and Gang of Four, 'Horrorshow' and its B-side
'Adult/`Ery' was the perfect introduction to a band who combined brash,
chimingly melodramatic guitars to the poetic swagger of singer Robert
King's lyrical and vocal style. Scars subsequent 1981 album, 'Author!
Author!' should have seen them cross over to major label greatness
following front page music press acclaim, two John Peel sessions and an
appearance on BBC 2's music for grown-ups TV show, 'The Old Grey
Whistle Test'. As it turned out, however, that was the last sighting of
all four Scars together for almost thirty years. Until now, that is, as
one of the great missing links of post-punk join forces for a one-off
festive headline show to show the hordes of latter-day guitar bands how
it's done.

"I was sixteen", guitarist Paul McKie, aka Paul Research remembers of
the band he formed in 1977, "and all the bands in Edinburgh then seemed
quite American influenced. We were determined to do something that was
consciously different from that."

Long hailed as an inspiration by fellow travellers Davy Henderson and
Paul Haig, of Fire Engines and Josef K respectively, with 'Author!
Author!' finally released on CD two years ago and with a session
already lined up for 6 Music's Marc Riley show, the return of Scars to
acknowledge veteran record emporium Avalanche's move to the Grassmarket
looks very much like vindication.

"I aways thought we were under-rated," McKie admits, "and I still don't
hear anybody now sounding like us. But it still feels like payback.
It's not like we're going round high-fiving each other, but we're
quietly satisfied."

Scars, TV 21 and Malcolm Ross play The Picture House, Edinburgh,
December 29th

the List, December 2010

ends

Comments

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Edinburgh Rocks – The Capital's Music Scene in the 1950s and Early 1960s

Edinburgh has always been a vintage city. Yet, for youngsters growing up in the shadow of World War Two as well as a pervading air of tight-lipped Calvinism, they were dreich times indeed. The founding of the Edinburgh International Festival in 1947 and the subsequent Fringe it spawned may have livened up the city for a couple of weeks in August as long as you were fans of theatre, opera and classical music, but the pubs still shut early, and on Sundays weren't open at all. But Edinburgh too has always had a flipside beyond such official channels, and, in a twitch-hipped expression of the sort of cultural duality Robert Louis Stevenson recognised in his novel, Dr Jekyll and Mr Hyde, a vibrant dance-hall scene grew up across the city. Audiences flocked to emporiums such as the Cavendish in Tollcross, the Eldorado in Leith, The Plaza in Morningside and, most glamorous of all due to its revolving stage, the Palais in Fountainbridge. Here the likes of Joe Loss and Ted Heath broug...

Carla Lane – The Liver Birds, Mersey Beat and Counter Cultural Performance Poetry

Last week's sad passing of TV sit-com writer Carla Lane aged 87 marks another nail in the coffin of what many regard as a golden era of TV comedy. It was an era rooted in overly-bright living room sets where everyday plays for today were acted out in front of a live audience in a way that happens differently today. If Lane had been starting out now, chances are that the middlebrow melancholy of Butterflies, in which over four series between 1978 and 1983, Wendy Craig's suburban housewife Ria flirted with the idea of committing adultery with successful businessman Leonard, would have been filmed without a laughter track and billed as a dramady. Lane's finest half-hour highlighted a confused, quietly desperate and utterly British response to the new freedoms afforded women over the previous decade as they trickled down the class system in the most genteel of ways. This may have been drawn from Lane's own not-quite free-spirited quest for adventure as she moved through h...