4 stars
Long before his soundtrack for Jane Campion's The Piano, Michael
Nyman's very English form of baroque minimalism had impeccable art
school credentials. Following his debut on Brian Eno's Obscure label,
this 1981 follow-up five years later was produced by Flying Lizard and
Nyman's former student David Cunningham.
On this handsomely packaged re-release, early scores for Peter
Greenaway miniatures are jauntily insistent, while free jazz
saxophonists Peter Brotzmann and Evan Parker skitter and splutter all
over 'Waltz' like Teddy Boys at a tea dance. The lengthy 'M-Work',
composed for a performance sculpture by Bruce McLean and Paul Richards,
is a foreboding epic of contemporary classicism in exelcis on a
valuable archive of a composer en route to defining his cinematic
oeuvre.
The List, February 2012
ends
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