Skip to main content

American Idiot

King's Theatre, Glasgow
Three stars

With the U.S. Elections looming, the uninitiated might presume a show called American Idiot to concern itself with the no longer amusing rise of Donald Trump. As it is, the ever enterprising Sell A Door theatre company's touring revival of American nouveau punk trio Green Day's rock opera stays faithful to the show's loose-knit narrative of three young men coming of age in a post 9/11 world.

Director and choreographer Racky Plewes' quasi-boutique production also has the added advantage of real life rock star Newton Faulkner at the centre of Green Day frontman Billie Joe Armstrong's songbook. All of which makes an audience young enough to have barely registered the 2001 attack on the World Trade Centre in New York something of a devoted audience.

Faulkner plays Johnny, who with his buddies Tunny and Will ekes out a stoner's existence on the sofa, guitar sometimes in hand. Motivated by the spectacle playing out on their TV screen, the trio decide to make something of their lives and jump the bus for an adventure in the big city. Except that Will's girl is pregnant, which means he must stay at home. Tunny joins up for the Iraq war, while Johnny finds his dream girl only to lose her in a fug of drugs.

All this is delivered with gusto by a well-drilled cast led by Faulkner, Alexis Gerred as Tunny and former Son of Dork bass player Steve Rushton as Will. A supporting cast including Amelia Lily as the charmingly monickered Whatshername are powered along by a live band playing Armstrong's angry anthems in a wake up call for doomed youth everywhere.

The Herald, June 2nd 2016

ends

Comments

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Edinburgh Rocks – The Capital's Music Scene in the 1950s and Early 1960s

Edinburgh has always been a vintage city. Yet, for youngsters growing up in the shadow of World War Two as well as a pervading air of tight-lipped Calvinism, they were dreich times indeed. The founding of the Edinburgh International Festival in 1947 and the subsequent Fringe it spawned may have livened up the city for a couple of weeks in August as long as you were fans of theatre, opera and classical music, but the pubs still shut early, and on Sundays weren't open at all. But Edinburgh too has always had a flipside beyond such official channels, and, in a twitch-hipped expression of the sort of cultural duality Robert Louis Stevenson recognised in his novel, Dr Jekyll and Mr Hyde, a vibrant dance-hall scene grew up across the city. Audiences flocked to emporiums such as the Cavendish in Tollcross, the Eldorado in Leith, The Plaza in Morningside and, most glamorous of all due to its revolving stage, the Palais in Fountainbridge. Here the likes of Joe Loss and Ted Heath broug...

Carla Lane – The Liver Birds, Mersey Beat and Counter Cultural Performance Poetry

Last week's sad passing of TV sit-com writer Carla Lane aged 87 marks another nail in the coffin of what many regard as a golden era of TV comedy. It was an era rooted in overly-bright living room sets where everyday plays for today were acted out in front of a live audience in a way that happens differently today. If Lane had been starting out now, chances are that the middlebrow melancholy of Butterflies, in which over four series between 1978 and 1983, Wendy Craig's suburban housewife Ria flirted with the idea of committing adultery with successful businessman Leonard, would have been filmed without a laughter track and billed as a dramady. Lane's finest half-hour highlighted a confused, quietly desperate and utterly British response to the new freedoms afforded women over the previous decade as they trickled down the class system in the most genteel of ways. This may have been drawn from Lane's own not-quite free-spirited quest for adventure as she moved through h...