Skip to main content

Much Ado About Nothing

Dundee Rep
Four stars

There may have been a summer nip in the air in Dundee on Saturday night, but onstage in Irene Macdougall's grandiloquent looking revival of Shakespeare's most serious of rom-coms, heat was being generated on every level. On the Sicilian streets crickets chirrupped through the night, but when Beatrice and Benedick rubbbed up against each other in a mutual desire to prove who was cleverer, the temperature soared.

In Emily Winter and Robert Jack's hands, such japes look closer to flirting than fighting, with the ongoing sexual chemistry palpable to all except those directly involved. Such a fine romance is offset by the more troubling affair between Hero and Claudio as manipulated by Ali Watt's scheming Don John. In this way, the light and shade of the play is starkly realised, with a clear lurch into darkness at the top of the second half.

While there are plenty of biscuit-coloured pillars and hidey holes to manipulate all manner of indiscretions from, Macdougall and designer Ken Harrison keep the stage expansive enough to allow the cast to navigate their way through each intrigue.

But above all, this is an actor's play, and, as the play's central couple, Winter and Jack rise to the occasion with an increasingly frantic comic energy that permeates throughout. When the penny finally drops and Benedick attempts to be both deep and macho, Beatrice swats him away like the silly boy he is. Marli Siu and Ewan Somers provide a counterpoint as Hero and Claudio, in a vivid and handsome interpretation of a play that revels in how beautifully mixed up a love story can be.

The Herald, June 13th 2016

ends

Comments

Popular posts from this blog

Myra Mcfadyen - An Obituary

Myra McFadyen – Actress   Born January 12th 1956; died October 18th 2024   Myra McFadyen, who has died aged 68, was an actress who brought a mercurial mix of lightness and depth to her work on stage and screen. Playwright and artistic director of the Royal Lyceum Theatre, Edinburgh, David Greig, called McFadyen “an utterly transformative, shamanic actor who could change a room and command an audience with a blink”. Citizens’ Theatre artistic director Dominic Hill described McFadyen’s portrayal of Puck in his 2019 production of A Midsummer Night’s Dream at the Regent’s Park Open Air Theatre in London as “funny, mischievous and ultimately heartbreaking.”   For many, McFadyen will be most recognisable from Mamma Mia!, the smash hit musical based around ABBA songs. McFadyen spent two years on the West End in Phyllida Lloyd’s original 1999 stage production, and was in both film offshoots. Other big screen turns included Rob Roy (1995) and Our Ladies (2019), both directed by Mi...

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Billy Elliot The Musical

Edinburgh Playhouse Five stars A big National Coal Board sign looms large at the opening of Lee Hall and Elton John's decade-old musical stage version of Hall and director Stephen Daldry's hit turn of the century film. In a tale of one little boy's liberation as a dancer against the backdrop of the 1980s miners strike, however, the Durham Miners banner and the 'Save Our Community' sash held aloft matter more. It is this call to arms that forms the heart of Daldry's production, as Billy becomes a potty-mouthed beacon of hope in a situation where picket line, thin blue line and chorus line rub uneasily up against each other. Given such a context, there is bound to be some pretty grown-up stuff going on here, be it the institutionalised homophobia in Billy's village, the class war going on within it, or Billy's grieving for his dead mother that drives his every move. And, as so magnificently choreographed by Peter Darling, what moves they are. Watch...