Skip to main content

Bob Heatlie - An Obituary

Bob Heatlie – songwriter, musician, record producer

Born July 20, 1946; died April 8, 2023

 

 

Bob Heatlie, who has died aged 76, was a songwriter and producer whose works topped the charts several times over. His first number one came in 1981 with Japanese Boy, an oriental-tinged one-hit wonder by the kimono-clad Aneka, who in actuality was Edinburgh folk singer Mary Sandeman. Heatlie went on to score the 1985 Christmas number one for Shakin’ Stevens with the Dave Edmunds produced Merry Christmas Everyone.

 

Japanese Boy came about after Heatlie had recorded several folk albums with Sandeman, who declared her desire to sing a pop song, and encouraged Heatlie to write one for her. Heatlie resisted this, putting off writing anything despite several reminders. When Sandeman booked studio time, Heatlie’s hand was forced, and he stitched several lyrics from previous works around the chorus of what became Japanese Boy.

 

With Sandeman recast as Aneka, her recording of the song was eventually released on the German Hansa label, which had released Boney M's early records. In August 1981, Japanese Boy went to number 1 in the UK, and became a hit all over Europe and beyond, topping the charts in Belgium, Finland, Ireland, Sweden and Switzerland.

 

Merry Christmas Everyone had originally been recorded in 1984, with its release put back a year to make way for Band Aid’s charity single, Do They Know It’s Christmas? The gesture paid off, and the record went triple platinum, becoming a Christmas staple.

 

Robert Raymond Heatlie was born at Elsie Inglis Maternity Hospital, Edinburgh, to Thomas Heatlie and Elizabeth Brossel. The couple had met in Brossel’s native Belgium when Heatlie was stationed there with the Army during World War II. Thomas returned to Scotland with Elizabeth at the end of the war, and lived in Craigmillar.

 

Heatlie grew up in Wauchope Place, and attended Craigmillar Primary School and Niddrie Marischal High School. His father was a saxophone player, and Heatlie began learning to play from the age of seven. Aged fifteen, he took up the drums, and started doing gigs around town with his father and an accordion player, Tommy Cassidy.

 

Heatlie went on to learn keyboards and flute, and during the 1960s and 1970s played in numerous bands. These included This N That; The Prezure; Rockin Chair; The Memphis Roadshow; The Odd Couple (with David Valentine); and, at Tiffany’s on St Stephen Street in Edinburgh, The Band of Gold. Around 1975, he started to do session work around three Edinburgh recording studios - REL Studios, Hart Street Studios & Palladium Studios. In 1977 he turned professional, and signed to EMI Music Publishing.

 

In 1979 Heatlie joined Scottish power pop band, The Headboys. Originally known as Badger, by the time Heatlie joined on keyboards and sax, the band had released two singles before being picked up by Robert Stigwood’s RSO label. With future record producer Calum Malcolm also in the band, The Headboys toured the UK and Europe with Wishbone Ash, and reached the lower edges of the charts with The Shape of Things to Come / The Mood I’m In (1979). This saw them appear on Top of the Pops. A self-titled album, produced by Peter Ker, followed. Lack of chart success with four follow up singles saw the band split the following year. 

 

In 2013, interest in The Headboys was sparked by the appearance of The Lost Album. Released by the American Pop Detective label, the record featured ten tracks recorded for what was supposed to be the second Headboys album, but which had remained unreleased. The Lost Album was dedicated to the band’s drummer, Davy Ross, who had died in 2010.

 

With Japanese Boy selling more than four and a half million copies, the song’s success opened doors for Heatlie. For Cliff Richard, he wrote Locked Inside Your Prison (1983), opening side two of Richard’s twenty-fifth anniversary Silver album. Heatlie’s working relationship with Shakin’ Stevens began with Cry Just a Little Bit (1983), which went to number three. Two years later the song was covered in America by Country singer Sylvia on her album, One Step Closer. Released as the album’s second single, it reached number nine in the American Country charts, and number eight in Canada’s equivalent.

 

Heatlie continued to write for Stevens, with Breaking Up My Heart (1985) reaching number fourteen in the charts, while Woman (What have You Done to Me?) (1988) appeared on Stevens’ A Whole Lotta Shaky album. In 1992, Stevens went to number thirty-seven with Radio, co-written by Heatlie with Gordon Campbell.

 

From 1967 to 1999, Heatlie was married to Mary Davie, and they had two sons, Bobby junior and Michael. Heatlie had a third son, David, with Hungarian singer Eva Csepregi. 

 

 Heatlie went on to compose for television, beginning with children’s animation, The Trap Door (1986). With David Pringle, Heatlie composed the theme tunes for This Morning (1988); Wheel of Fortune (1988); Scotsport (1990);  and children’s game show, Fun House (1994). Heatlie composed for many more children’s animations, including Percy The Park Keeper (1996), and Kipper (1997). He also did the music for the original pilot episode of Bob the Builder (1997). Other theme tunes included Professor Bubble (2000); Little Robots (2003-2005); and Sheeep (2001-2001). 

 

Later songwriting credits include Do You Wanna Party (1994) a club hit by DJ Scott featuring Lorna B; and Talk to Me (2020), a co-write with KT Tunstall, recorded by Finnish symphonic metal band, Apocalyptica, featuring Lzzy Hale of American band, Halestorm.

 

 

Merry Christmas Everyone was re-recorded by Stevens in 2015 in a folk and bluegrass style for a charity single in collaboration with the Salvation Army. Closer to home, five years earlier, Heatlie joined Edinburgh baroque pop band Aberfeldy at their Liquid Rooms show on saxophone and backing vocals for a seasonal cover of the song. What has become a Christmas classic sounded as fresh as when it first topped the charts.

 

Heatlie is survived by his three sons, Bobby and Michael, with his first wife, Mary, and David, with Eva Csepregi. He is also survived by his granddaughter, Charlie, his sisters, Mary Anne and Lilian, a half brother, Cosmo, and half sister, Tina, and nine nieces and nephews.


The Herald, April 29th 2023

 

ends

Comments

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...

Edinburgh Rocks – The Capital's Music Scene in the 1950s and Early 1960s

Edinburgh has always been a vintage city. Yet, for youngsters growing up in the shadow of World War Two as well as a pervading air of tight-lipped Calvinism, they were dreich times indeed. The founding of the Edinburgh International Festival in 1947 and the subsequent Fringe it spawned may have livened up the city for a couple of weeks in August as long as you were fans of theatre, opera and classical music, but the pubs still shut early, and on Sundays weren't open at all. But Edinburgh too has always had a flipside beyond such official channels, and, in a twitch-hipped expression of the sort of cultural duality Robert Louis Stevenson recognised in his novel, Dr Jekyll and Mr Hyde, a vibrant dance-hall scene grew up across the city. Audiences flocked to emporiums such as the Cavendish in Tollcross, the Eldorado in Leith, The Plaza in Morningside and, most glamorous of all due to its revolving stage, the Palais in Fountainbridge. Here the likes of Joe Loss and Ted Heath broug...

Carla Lane – The Liver Birds, Mersey Beat and Counter Cultural Performance Poetry

Last week's sad passing of TV sit-com writer Carla Lane aged 87 marks another nail in the coffin of what many regard as a golden era of TV comedy. It was an era rooted in overly-bright living room sets where everyday plays for today were acted out in front of a live audience in a way that happens differently today. If Lane had been starting out now, chances are that the middlebrow melancholy of Butterflies, in which over four series between 1978 and 1983, Wendy Craig's suburban housewife Ria flirted with the idea of committing adultery with successful businessman Leonard, would have been filmed without a laughter track and billed as a dramady. Lane's finest half-hour highlighted a confused, quietly desperate and utterly British response to the new freedoms afforded women over the previous decade as they trickled down the class system in the most genteel of ways. This may have been drawn from Lane's own not-quite free-spirited quest for adventure as she moved through h...