Skip to main content

Anne Wood - When Mountains Meet

When Anne Wood visited Pakistan to meet the father she had never known, the experience opened up another world that stayed with her. More than thirty years later, the renowned Scottish violinist tells her story in When Mountains Meet, a cross-cultural hybrid of storytelling and song that bridges continents and musical styles. Told as a conversation between Scottish and South-Asian music, a vibrant live score composed by Wood combines alap, raag, reel and strathspey, with vocals performed in a mix of English, Gaelic and Hindustani to tell Wood’s deeply personal story.

 

When Wood first wrote to her father, ‘He didn’t know I had been born, but replied quickly to my tentative letter introducing myself, completely accepting me into his life as we developed a fiery but loving father-daughter relationship.’

 

Wood’s musical pedigree stems from her Sutherland roots, and as a founder member of folk/jazz fusion group, The Cauld Blast Orchestra up to her current tenure as a member of ‘godmothers of grunge’, The Raincoats. Inbetween, Wood has worked with the likes of Michael Marra, Elvis Costello and Massive Attack, and played on the score of Stanley Kubrick’s film, Eyes Wide Shut.

 

For When Mountains Meet, Wood co-opted harpist Mary MacMaster, percussionist Rick Wilson and sitar player Rakae Jamil to accompany storytellers Iman Aktar, Hassan Javed and Jamie Zubari.

 

‘The show’s inspiration came from my search for identity, belonging and connection with a land very different to my own, and a father I had never met but who never felt like a stranger.’

 

When Mountains Meet, The Studio, Edinburgh, 25-26 April, then on tour until 28 May.


The List, May 2024


ends

 

Labels:

Comments

Post a Comment

Popular posts from this blog

Losing Touch With My Mind - Psychedelia in Britain 1986-1990

DISC 1 1. THE STONE ROSES   -  Don’t Stop 2. SPACEMEN 3   -  Losing Touch With My Mind (Demo) 3. THE MODERN ART   -  Mind Train 4. 14 ICED BEARS   -  Mother Sleep 5. RED CHAIR FADEAWAY  -  Myra 6. BIFF BANG POW!   -  Five Minutes In The Life Of Greenwood Goulding 7. THE STAIRS  -  I Remember A Day 8. THE PRISONERS  -  In From The Cold 9. THE TELESCOPES   -  Everso 10. THE SEERS   -  Psych Out 11. MAGIC MUSHROOM BAND  -  You Can Be My L-S-D 12. THE HONEY SMUGGLERS  - Smokey Ice-Cream 13. THE MOONFLOWERS  -  We Dig Your Earth 14. THE SUGAR BATTLE   -  Colliding Minds 15. GOL GAPPAS   -  Albert Parker 16. PAUL ROLAND  -  In The Opium Den 17. THE THANES  -  Days Go Slowly By 18. THEE HYPNOTICS   -  Justice In Freedom (12" Version) ...
Post a Comment
Read more

Edinburgh Rocks – The Capital's Music Scene in the 1950s and Early 1960s

Edinburgh has always been a vintage city. Yet, for youngsters growing up in the shadow of World War Two as well as a pervading air of tight-lipped Calvinism, they were dreich times indeed. The founding of the Edinburgh International Festival in 1947 and the subsequent Fringe it spawned may have livened up the city for a couple of weeks in August as long as you were fans of theatre, opera and classical music, but the pubs still shut early, and on Sundays weren't open at all. But Edinburgh too has always had a flipside beyond such official channels, and, in a twitch-hipped expression of the sort of cultural duality Robert Louis Stevenson recognised in his novel, Dr Jekyll and Mr Hyde, a vibrant dance-hall scene grew up across the city. Audiences flocked to emporiums such as the Cavendish in Tollcross, the Eldorado in Leith, The Plaza in Morningside and, most glamorous of all due to its revolving stage, the Palais in Fountainbridge. Here the likes of Joe Loss and Ted Heath broug...
2 comments
Read more

Carla Lane – The Liver Birds, Mersey Beat and Counter Cultural Performance Poetry

Last week's sad passing of TV sit-com writer Carla Lane aged 87 marks another nail in the coffin of what many regard as a golden era of TV comedy. It was an era rooted in overly-bright living room sets where everyday plays for today were acted out in front of a live audience in a way that happens differently today. If Lane had been starting out now, chances are that the middlebrow melancholy of Butterflies, in which over four series between 1978 and 1983, Wendy Craig's suburban housewife Ria flirted with the idea of committing adultery with successful businessman Leonard, would have been filmed without a laughter track and billed as a dramady. Lane's finest half-hour highlighted a confused, quietly desperate and utterly British response to the new freedoms afforded women over the previous decade as they trickled down the class system in the most genteel of ways. This may have been drawn from Lane's own not-quite free-spirited quest for adventure as she moved through h...
Post a Comment
Read more